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ovni 1996
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What to Do on a Date
ES ES-OVNI RSC-2670 · Item · 1950
Part of Non-Identified Video Observatory (OVNI)

A high school senior learns how and where to ask a girl for a date, where to take her for a good time, and how to avoid spending too much money or being bored by commercialized amusements.

 Untitled
Videotape Study No.3
ES ES-OVNI CTX-S003-SS003-0013 · Item · 1967
Part of Non-Identified Video Observatory (OVNI)

Early attempts at critical observation of television were conditioned by the development of the first recording technology. This is the context of this historic Nam June Paik piece, a document about the feedback relationship between video and television, and the ability of television to filter and pixilate information. 3 Mostra de Vídeo Independent de Barcelona 1996.

 Untitled
Viajes Imaginarios
Viajes Imaginarios
ES ES-OVNI CTX-S003-SS003-0005 · Item · 1995
Part of Non-Identified Video Observatory (OVNI)

"Imaginary Trips I" is a Portrait of a City where the different languages that inhabit the urban landscape intersect. The travel document through the subjective story, the history and the dislate, whose roots are the narrations about remote cultures and unknown territories: literary genre of seekers of fortune, sailors and anthropologists. In this first chapter of "Imaginary Travels", a tour of the city of Buenos Aires, its history and myths. 3 Mostra de Vídeo Independent de Barcelona 1996.

 Untitled
Utopia
Utopia
ES ES-OVNI CTX-S003-SS005-0018 · Item · 1994
Part of Non-Identified Video Observatory (OVNI)

Video version of an interactive work caricaturing the idea of freedom of choice. The context is a series of test questions, but the answers are predetermined and in this case lead us to destruction by accumulation, exploitation, ... 3 Mostra de Vídeo Independent de Barcelona 1996.

 Untitled
To Market, To Market
ES ES-OVNI RSC-2654 · Item · 1942
Part of Non-Identified Video Observatory (OVNI)

Proliferation of outdoor advertising billboards through Chicago and the methods of analyzing potential advertising sites. This part explains the strategy behind the placement of outdoor media. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is ten hidden behind the media curtain).

 Untitled