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2020 - Yeswework
ES ES-OVNI EXP-S002 · Series · 2020
Part of Non-Identified Video Observatory (OVNI)

(...) Without scruples, on 28 February, in the midst of the Coronavirus emergency – in five days 110 cases had been officially confirmed in the area, which was out of control – the Italian employer’s federation, Confindustria, launched a social media campaign with the hashtag #YesWeWork. “We need to tone it down, make public opinion understand that things are returning to normal, that people can go back to living the way they used to,”  the president of Confindustria Lombardy, Marco Bonometti, told the media.

The message of the promotional video for international partners was absurd: “Coronavirus cases have been diagnosed in Italy, but it is no different to many other countries,” they downplayed the situation. And they lied: “The risk of infection is low”. They blamed the media for unwarranted scaremongering, and they showed workers in their factories while boasting that all their factories would remain “open and at full capacity, as always.”

Just five days later, the huge outbreak of infections and deaths arrived. It would end up being the largest in Italy and Europe. Even then, Confindustria did not withdraw the campaign, much less consider closing the factories (...)

Bergamo, the massacre that the employers chose not to prevent

The part of Italy that was hardest hit by Covid-19 is a major industrial hub. It was never declared a danger zone due to lobbying by employers. The human cost was catastrophic.

Alba Sidera Roma , 10/04/2020

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

Casting 1
ES ES-OVNI CTX-S007-SS003-0008 · Item · 1999
Part of Non-Identified Video Observatory (OVNI)

Real documents from casting sessions for "wonberbra girls". and the like. 6th Independent Vídeo & Interactive Phenomena Show

Untitled
Casting 2
ES ES-OVNI CTX-S007-SS003-0009 · Item · 1999
Part of Non-Identified Video Observatory (OVNI)

Real documents from casting sessions for "young mothers USA". 6th Independent Vídeo & Interactive Phenomena Show

Untitled
C.H.A.O.S.
ES ES-OVNI RSC-1270 · Item · 1995
Part of Non-Identified Video Observatory (OVNI)

Organized by spasms, repetitions and micro scratches, CHAOS results from a nervous shock to the simultaneous contradictions of media reporting.

Design for Dreaming
ES ES-OVNI CTX-S003-SS002-0024 · Item · 1956
Part of Non-Identified Video Observatory (OVNI)

Set at the 1956 General Motors Motorama, this is one of the key Populuxe films of the 1950s, showing futuristic dream cars and Frigidaire's "Kitchen of the Future". The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain. 3 Mostra de Vídeo Independent de Barcelona 1996.

Untitled
Frigidaire Finale
ES ES-OVNI CTX-S003-SS002-0013 · Item · 1957
Part of Non-Identified Video Observatory (OVNI)

Couple dances through an array of new "Sheer Look" washers, dryers, ranges and refrigerators. The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain. 3 Mostra de Vídeo Independent de Barcelona 1996.

Untitled
La noche
ES ES-OVNI TS-S002-SS005-0002 · Item · 1994
Part of Non-Identified Video Observatory (OVNI)

The Night of the Living Dead: advertising nightmares and mass media monsters. Serie: TV Code_The Black Tapes. 1994 Barcelona.

Logorama
ES ES-OVNI CTX-S014-SS004-0008 · Item · 2009
Part of Non-Identified Video Observatory (OVNI)

Logorama explores the extent to which logos are embedded in our daily existence. In the words of members of H5, "Logorama presents us with an over-marketed world built only from logos and real trademarks that are destroyed by a series of natural disasters (including an earthquake and a tidal wave of oil). Logotypes are used to describe an alarming universe (similar to the one that we are living in) with all the graphic signs that accompany us in our everyday lives. This over-organized universe is violently transformed when the cataclysm becomes fantastic and absurd. It shows the victory of the creative against the rational, where nature and human fantasy triumph.”

Untitled