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A Jihad for Love
ES ES-OVNI CTX-S013-SS007-0082 · Item · 2007
Part of Non-Identified Video Observatory (OVNI)

Fourteen centuries after the revelation of the holy Qur'an to the Prophet Muhammad (peace be upon him), Islam today is the world's second largest and fastest growing religion. Muslim gay filmmaker Parvez Sharma travels the many worlds of this dynamic faith discovering the stories of its most unlikely storytellers: lesbian and gay Muslims. Filmed over 5 1/2 years, in 12 countries and 9 languages, "A Jihad for Love" comes from the heart of Islam. Looking beyond a hostile and war-torn present, this film seeks to reclaim the Islamic concept of a greater Jihad, which can mean 'an inner struggle' or 'to strive in the path of God'. In doing so the film and its remarkable subjects move beyond the narrow concept of 'Jihad' as holy war

Untitled
ES ES-OVNI RSC-4307 · Item · 2023
Part of Non-Identified Video Observatory (OVNI)

Miguel reveals to Fábio the filmed footage of his childhood. The film is an investigation into the possibilities of fiction through a material that, in theory, does not hide anything. His raw material is some VHS that Miguel himself starts to review next to a mysterious and flirtatious friend from Brazil. Miguel speaks, his friend listens. Miguel presents his world, his past, his first self. With these reference images, Miguel structures a particular account of his experience as a Colombian child and the first manifestations of Satan in his life.

Bust Up
ES OVNI RSC-1380 · Item · 1989
Part of Non-Identified Video Observatory (OVNI)

Tea time will never be the same! This tickling thriller about an afternoon tea features Holly Brown, who spontaneously transforms into several female personas that startle and entertain her surprised guest. Brown’s character’s are obsessed with formalities of etiquette, pedigree and hospitality while spoofing sex roles and stereotypes.

Cinema Fouad
ES ES-OVNI CTX-S009-SS004-0020 · Item · 1993
Part of Non-Identified Video Observatory (OVNI)

Khaled, a Syrian worker earns his living in old town Beirut. He was born transvestite. Ever since he suffered of his sexual identity. Yet, he has determined to change his sex by a surgery which allows him to become a woman. This film enters into Khaled's intimate world, daily struggle and damages that inflict him in an intolerant society.

Untitled
Girl Power
ES ES-OVNI CTX-S003-SS005-0011 · Item · 1992
Part of Non-Identified Video Observatory (OVNI)

From a series of super low-tech video diaries recorded with the famous and now extinct "fisher price pixel vision" camera. Sadie Benning introduces us to her personal world of discoveries of identities and genres.

Untitled
GLOBALIZATION
ES ES-OVNI CTX-S006 · Series · 1999
Part of Non-Identified Video Observatory (OVNI)

Observatory Archives 1999

/ CONTEXT 1994 - 2020

Observatory Archives 1999

The theme of OVNI 1999 is the journey that goes from the social to the private and vice versa, with the understanding that they are part of the same continuous fabric. Memory/Collective Fiction. Dreams/Personal Memories. Standards and archetypes and individual irreducibility. Media paranoia and stories of schizophrenia. Social passions and love stories. The “American dream”, the “European dream”. Temporary Autonomous Zones and Other Worlds.

Thematical screenings

Hall and Auditorium.  Simultaneous Screenings

Centre de Cultura Contemporània de Barcelona

Montalegre 5. 08001 Barcelona

How I Love You
ES ES-OVNI CTX-S008-SS004-0003 · Item · 2001
Part of Non-Identified Video Observatory (OVNI)

A exploration of sexuality among gay men in Lebanon. Five characters talk about their sexuality, about commitments, about their relationship to their bodies, about their passions and love in a society where homosexuality is still punished with imprisonment. The video uses light to produce a white veil, rendering almost impossible character identification.

It Wasn't Love
ES ES-OVNI RSC-4332 · Item · 1992
Part of Non-Identified Video Observatory (OVNI)

Benning illustrates a lascivious encounter with a "bad girl," through the staging of gender and the interaction of Hollywood clichés: posing for the camera as the rebel, the platinum blonde, the gangster, the fifties crooner, and the "vamp" with heavy eyes. Poses with a cigarette, slow romantic dances, and fast-action heavy metal street shots drive the viewer through the story of the love affair. Benning's video goes beyond romantic fantasy, describing other facets of physical attraction including fear, violence, lust, guilt, and total excitement. As she herself says, "It wasn't love, but it was something..." It was an opportunity to feel glamorous, sexy, and famous, all at the same time.

Untitled