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2020 - Yeswework
ES ES-OVNI EXP-S002 · Series · 2020
Part of Non-Identified Video Observatory (OVNI)

(...) Without scruples, on 28 February, in the midst of the Coronavirus emergency – in five days 110 cases had been officially confirmed in the area, which was out of control – the Italian employer’s federation, Confindustria, launched a social media campaign with the hashtag #YesWeWork. “We need to tone it down, make public opinion understand that things are returning to normal, that people can go back to living the way they used to,”  the president of Confindustria Lombardy, Marco Bonometti, told the media.

The message of the promotional video for international partners was absurd: “Coronavirus cases have been diagnosed in Italy, but it is no different to many other countries,” they downplayed the situation. And they lied: “The risk of infection is low”. They blamed the media for unwarranted scaremongering, and they showed workers in their factories while boasting that all their factories would remain “open and at full capacity, as always.”

Just five days later, the huge outbreak of infections and deaths arrived. It would end up being the largest in Italy and Europe. Even then, Confindustria did not withdraw the campaign, much less consider closing the factories (...)

Bergamo, the massacre that the employers chose not to prevent

The part of Italy that was hardest hit by Covid-19 is a major industrial hub. It was never declared a danger zone due to lobbying by employers. The human cost was catastrophic.

Alba Sidera Roma , 10/04/2020

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

A Date With Your Family
ES ES-OVNI RSC-3001 · Item · 1950
Part of Non-Identified Video Observatory (OVNI)

Advises children to do whatever is necessary -even lie- to achieve harmonious family relations. "These boys treat their dad as though they were genuinely glad to see him, as though they really missed him...". (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

Untitled
A Welcome Guest in the House
ES ES-OVNI INT-S002-SS010-0003 · Item · 1957
Part of Non-Identified Video Observatory (OVNI)

Tribute to television as servant of the public in the Cold War era. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

Untitled
ES ES-OVNI RSC-3006 · Item · 1960
Part of Non-Identified Video Observatory (OVNI)

Ford commercial linking new compact cars to futurism and the space frontier. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

ES ES-OVNI CTX-S020-SS003-0004 · Item · 1992
Part of Non-Identified Video Observatory (OVNI)

INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.

Untitled
ES ES-OVNI CTX-S011-SS006-0037 · Item · 2004
Part of Non-Identified Video Observatory (OVNI)

When terrorism becomes even more closely linked to Arabs and Islam, a terror prevention rehabilitation camp known as the (Arab Terrorist Management Camp) is designed to help potential Arab terrorists overcome their terrorist tendencies. The film starts off in a documentary fashion but slowly takes the shape of an infomercial mocking the capitalization on "terrorism”.

ES ES-OVNI CTX-S009-SS004-0002 · Item · 2003
Part of Non-Identified Video Observatory (OVNI)

Eric Goldhagen, member of Autonomedia, ABC No Rio and Openflows. He will speak about technology and the politics of new media and "open-source software". New York-based Autonomedia are one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. Their publications include: Temporary Autonomous Zones, by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism, by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.  

ES ES-OVNI CTX-S009-SS004-0001 · Item · 2003
Part of Non-Identified Video Observatory (OVNI)

Jim Fleming, editor and member of Autonomedia. Lecturer in the Film and Media Department of Hunter College CUNY, New York. He will speak about the concept of "autonomous media" and how it relates to the books published by Autonomedia. New York-based Autonomedia are one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. Their publications include: Temporary Autonomous Zones, by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism, by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.  

ES ES-OVNI RSC-4275 · Item · 2018
Part of Non-Identified Video Observatory (OVNI)

In April 1961, in the Aurès mountains of Algeria, a hunting commando made up of Breton conscripts confronts a group from the National Liberation Army and captures an Algerian prisoner. A French soldier, wounded in the clash and a schoolteacher in civilian life, recalls the events he experienced with his comrades over the past months: their opposition to the Algerian war led them to a camp reserved for draft resisters. He remembers how their commanding officer managed to turn them, from young anti-militarist Bretons, into fearsome fellagha hunters — ready to kill, and even starting to enjoy it. All of them, except him, gradually give in to the escalating violence. Avoir vingt ans dans les Aurès, is a fictional work based on eight hundred hours of recordings of French conscripts during the Algerian war.