The goal of this documentary is to give a kind of snapshot of people's lives in the neighborhood of Raval in Barcelona on a normal day in wintertime in 2009. The idea was to accompany people with very distinct points of view through their everyday lives. All of these stories combine as part of one day in Raval, in which the camera changes situation and thus perspective over time, also meeting people to accompany and follow them on part of their daily route, observing and listening to their impressions of daily life in the neighbourhood. The cinematic design is to be clearly distinguishable and stand out from a classic reportage or documentary film style. The film does not follow a story in the classical way, it does not use any interviews, a narrative voice or music which is not part of the ambience in the image. Instead the camera is observing simple situations in the daily life in the Raval neighbourhood, following its main protagonists as a silent observer in their ordinary life.
UntitledINTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
UntitledJosé, Victoria and Miquel are three of the people who have lived on the streets, or are very close to doing so. Antibiografies is a documentary about the lives of Barcelona’s homeless people, a hidden world that is less visible but no less real or alive than any other. The protagonists talk about how they survive, their relationships, and the occupation of public space. A vision of tod ay’s society from a marginal, frontier perspective.
Antonio's story is one among the many stories of a person trying to survive the gentrification of El Raval, a traditionally working class neighbourhood in the centre of Barcelona. Antonio makes ends meet by recycling his finds and swapping things, while also giving things away to people who are in need, the homeless, poor people and migrants... all in all, he is a small focus of resistance to the ruthless capitalism that is slowly taking control of our lives.
Untitled- Barcelona.
On January 15, 2008, Israeli tanks destroyed the Peace Park, the only public park in the Gaza Strip. It had been a donation from the city of Barcelona to the residents of the Gaza Strip. The documentary gathers the testimonies of the neighbours hours after the attack. If they need to recover their public spaces, do we have to simply pay what Israel breaks?
In July 2005, the comic Leo Bassi took his Bassibus services to the city of Barcelona. In this political-tourism trip we came up close to the very heart of speculation and real estate violence, and met some of its main protagonists. Step right in and see... This tour has been possible thanks to the participation of people and groups who have been fighting for years to defend the territory and the dignity and rights of the people who live in it.
The sun does not always shine in Barcelona, the “best shop in the world” according to the slogan of a City Council campaign. The thousands of tourists who visit Barcelona every month boost the city's economy, but their social and human impact is often overlooked. The precarious nature of jobs in tourism, real estate pressure from the hotels, and the types of problems that crop up when a city turns into a kind of theme park in an attempt to seduce outsiders. The classic problems of global capitalism, reflected in one of the country's major industries... “BCN Thematic Park” talks about all this... about Barcelona, a city-advertisement that is turning into the newest theme park on the international market.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
An old building in Barcelona's historic Barrio Chino is the setting for this documentary. Real estate “mobbing” and the urban rehabilitation of the old city are the narrative thread, the economic machines that drive real estate speculation. They take over the neighbourhood, burying its history and memory.
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