Soraida is a Palestinian woman who lives in Ramallah, in the occupied territories. This video captures her personal struggle to retain her humanity in the midst of oppression. In her neighbourhood, the women do not all wear veils, the men do not rattle off empty political slogans, and the young people do not have bombs strapped to their belts. Life goes on despite the curfews and checkpoints that confine the people in a barless cage. Soraida invites us into her world, and that of her family and neighbours. Through their simple, everyday actions, we discover the worst thing about living under a state of siege: the loss of control over one's own life. In this vibrant plea against the occupation, Soraida shares her reflections on life in Palestine and her refusal to give in to the hate and violence.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
A sustained attempt to film a four-day ceremony concerned with the worship of Shiva. We are shown devotees of the God Shiva from the initial taking of the Sacred Thread through gradually intensifying action to the culmination in a variety of ascetic and self-denying practices. Devotees are also shown engaging in informal activities such as preparing food and listening to recitals of devotional songs by the famous mendicant Bauls of Bengal.
UntitledA process of detachment and relativization of the unknown, the different, the uncontrollable, the impact of the strange experience to generate a thought influenced both by the media and memory. 3 Mostra de Vídeo Independent de Barcelona 1996.
The controversy surrounding copyright and the use of samples in the music industry during the 80s. With the participation of Negativland and EBN Emergency Broadcast Network.
In this film, made two weeks prior to his death from AIDS, San Francisco performer Rodney Price sings and tap dances a darkly humorous song about his own death, "I've Got Less Time Than You."
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“Why can't you actually find a man?” Sonbol is asked by her mother. The answer is silence. Sonbol Fatemi is 35: she is attractive, single and divorced, has her own dentist surgery, likes to tell dirty jokes and has a passion for car races - competing against men. Sonbol lives in the holy city Mashad, in the Islamic Republic of Iran. Living a life like this in Iran means that she has to fight everyday. Against her mother who would love to arrange another marriage for her. Against the sports administration that wants to exclude women from rallyes altogether. And not least, against her own doubts about God and whether He is actually by her side. SONBOL gives a unique insight into a torn society by painting the portrait of an extraordinary and unconventional woman who pays a high price in order to be her self.