There is some attachment to identity and there's a fear that the identity one day will be finished, and that this will be the end of you. You think that you're alive only when Consciousness is functioning, but you are not alive in the cognitive state only.
UntitledThis documentary portrays Dubai as the latest neo-capitalist nightmare: a virtual reality reminiscent of Second Life, brought into being by the sweat of an immigrant workforce. What are the real working conditions in Dubai?. The epilogue, shot in the greenhouses of Almeria and Melilla in Spain, shows the similarities of a global business model. In this sense, "Dubai is in all of us".
UntitledOn April 9th 2009, maverick video-maker and self-professed ‘outsider' Arkhip Ippolitov failed in his bid to commit suicide. The investigation that followed revealed a man on the fringes of sanity who had all but erased his identity in favour of living out his life as a fictional character; a character doomed from the outset. Most curious however is that the process of his breakdown was documented and released in the form of the award-winning motion picture ‘Goliadkin'. This documentary, produced in association with The Institute of Film and Video Studies, Copenhagen, attempts to discern fact from myth and make sensible the question: ‘Who is Arkhip Ippolitov?' “It is ironic that he [Ippolitov] chose to appropriate the character of Dostoevsky's Goliadkin as his own, for this is a character driven to desperation by the strange and sudden appearance of his Doppelganger. It is doubly curious when we consider the circumstances of his suicide, his towering resentment toward the success of his movie and the tragic codicil he sought to execute against himself. But what is by far most uncanny is that this movie is a record of his self-destruction and that we, the audience, are capable of taking pleasure in the spectacle.” Tomas Blauveldt Video-Critic and Lecturer, Department of Unscientific Research The Institute of Film and Video Studies, Copenhagen
2 Mostra de Vídeo Independent de Barcelona 1994.
Gus Van Sant's 1st project was a short based on the William Burroughs' essay Do Easy. "DE is a way of doing. It is a way of doing everything you do. DE simply means doing whatever you do in the easiest most relaxed way you can manage which is also the quickest and most efficient way, as you will find as you advance in DE." William Burroughs.
UntitledIn The Diary of an Unknown Soldier Watkins initiated a style of filmmaking which he has consistently developed and experimented with in all of his professional films… Watkins refused to be constrained by cinematic conventions. In this film, he freed the camera from the limitations of a fixed vantage point and forced it to take part in the action so that he could create strikingly realistic, almost newsreel-like, effects and directly involve the viewing audience in the events it was witnessing. The Diary of an Unknown Soldier, however, is not limited strictly to techniques of realism. It contains a curious, almost uneasy, mixture of expressionist and documentary styles, and one suspects that the financial and physical limitations that Watkins faced because of equipment and location problems played a major part in the evolution of this syncretistic approach.
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