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2020 - Yeswework
ES ES-OVNI EXP-S002 · Series · 2020
Part of Non-Identified Video Observatory (OVNI)

(...) Without scruples, on 28 February, in the midst of the Coronavirus emergency – in five days 110 cases had been officially confirmed in the area, which was out of control – the Italian employer’s federation, Confindustria, launched a social media campaign with the hashtag #YesWeWork. “We need to tone it down, make public opinion understand that things are returning to normal, that people can go back to living the way they used to,”  the president of Confindustria Lombardy, Marco Bonometti, told the media.

The message of the promotional video for international partners was absurd: “Coronavirus cases have been diagnosed in Italy, but it is no different to many other countries,” they downplayed the situation. And they lied: “The risk of infection is low”. They blamed the media for unwarranted scaremongering, and they showed workers in their factories while boasting that all their factories would remain “open and at full capacity, as always.”

Just five days later, the huge outbreak of infections and deaths arrived. It would end up being the largest in Italy and Europe. Even then, Confindustria did not withdraw the campaign, much less consider closing the factories (...)

Bergamo, the massacre that the employers chose not to prevent

The part of Italy that was hardest hit by Covid-19 is a major industrial hub. It was never declared a danger zone due to lobbying by employers. The human cost was catastrophic.

Alba Sidera Roma , 10/04/2020

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

https://ctxt.es/es/20200401/Politica/31884/Alba-Sidera-Italia-coronavirus-lombardia-patronal-economia-muertes.htm

ES ES-OVNI CTX-S013-SS007-0094 · Item · 2005
Part of Non-Identified Video Observatory (OVNI)

This documentary investigates the current crusade being fought against Muslims in Iraq and Palestine. The film exposes America's ‘War on Terror' as a front for its Crusade against Islam. In this section we are introduced to ex-Guantanamo detainee Moazzam Begg, Shaykh Ali Timimi (awaiting trial in U.S.) and Babar Ahmad (in UK prison). The plight of Palestinians is looked at next. The oppressiveness of their lives is depicted for the viewer to witness and take heed. Consequently there will be none who view this and not be stirred by emotion. The last third of the film is dedicated to the latest chapter in the Crusaders war: Iraq. The section looks at America and its dealing with Iraq and its citizens. It contains recent war footage from Iraq and uncovers the truth behind US casualties.

3 Women (Sé Zan)
ES ES-OVNI RSC-3431 · Item · 2008
Part of Non-Identified Video Observatory (OVNI)

In this journey of identity for three generations of Iranian women, audacious Minoo, a conservator at the National Carpet Museum, is at the center of a dispute over a pricey heirloom. To complicate matters, while she searches for her missing daughter, her senile mother also disappears—with the precious carpet in tow. Starring Niki Karimi (whose films were screened at the 2006 and 2007 Women with Vision festivals), this road movie, with its gorgeous cinematography and exquisite performances, is “touched with sublime beauty, humor, and heartbreaking tenderness, [with a] vision of Iran as a place of fiercely independent women and unfathomable depths”

ES ES-OVNI RSC-3479 · Item · 2010
Part of Non-Identified Video Observatory (OVNI)

A media city like New York is seen for the first time by the filmmaker of the documentary. In her images is difficult to distinguish between the city as an icon from what is new, unknown and surprises her. An essay about the city as a show stage and as a real environment for the life of its inhabitants.

3494 Houses + 1 Fence
ES ES-OVNI RSC-3573 · Item · 2006
Part of Non-Identified Video Observatory (OVNI)

The street scape of Broken Hill, "the accessible outback" country town of Australia, is seen from the viewing platform of a Lebanese reality. Houses, neat, some pretty, some with children playing in front collide with sounds remembered from so long ago, maybe from one of Beirut's many wars, maybe even from future wars. There, exponential repetition sets apathy on a collision course with fear where mangled silences interrupt - but only to disrupt the remnants of safe living and to send eidetic shock waves through rose-colored lenses. The question of responsibility then emerges to demand, if not an answer, then a pause for grief, for consideration due to the boundaries of the senses and the centrality of the body's - any-body's - pain and sorrow.