An old building in Barcelona's historic Barrio Chino is the setting for this documentary. Real estate “mobbing” and the urban rehabilitation of the old city are the narrative thread, the economic machines that drive real estate speculation. They take over the neighbourhood, burying its history and memory.
UntitledI was born in Brussels and I bear a Flemish name. Yet, when I realized I lived my back turned on Flemish culture and language, I decided to learn Dutch. And, I left for Antwerp in search of that other me who also belongs to my history: a playful expedition unfolds itself far from Belgium's community controversies; a poetical quest for my native soil.
A military helicopter circles in the sky like an evil wasp. Chaos on the ground after the attack. A fast-paced sequence - bleeding people, burning cars and confused soldiers. Subheading: From Beirut - with Love. A cinematic postcard-greeting, so bitter and cynical, it can only come from a city at war with itself. The only dialogue in the film reveals a surprising connotation: Beirut is Paris, or Madrid, or any other metropolis. The scene is set: youth without a future, bomb attacks, drugs, arms, soldiers. The postcard has arrived.
UntitledPanorama of Moroccan Video. Abdelmajid Seddati (Festival Art Video de Casablanca ) + OVNI. 6th Independent Vídeo & Interactive Phenomena Show
UntitledCAAMI creates a relationship between the hermetic world of culture and television consumption, the sacred ambience of the museum and tele-shopping, in a video about the Atlantic Centre for Inflatable Modern Art, a parody of the culture industry and the television genre. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledA man planned to get married. From there, everything starts. A series of photos, which retrace his evolution (death, separation, distance and birth) in a fixed frame with a masculine voice in off which tells us the invisible stories behind the photos.
Untitled2 Mostra de Vídeo Independent de Barcelona 1994.
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