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THE REVOLUTION THAT WASN´T
ES ES-OVNI RSC-3313 · Item · 2008
Part of Non-Identified Video Observatory (OVNI)

In Russia 2007, the opposition to Putin's regime is gathering forces for the next presidential elections due in exactly one year. Anatoly and Andrei are not just two such opposition fighters, they are veteran revolutionaries. According to them, only a revolution can bring about “The other Russia”. However, as members of the banned National Bolshevik Party they will try and go the “democratic” way - but neither Revolution nor victory are in sight. While Anatoly's teenage son remains with the political cause, Anatoly finds spiritual refuge in the Orthodox Church – the Russian revolution's arch-enemy. THE REVOLUTION THAT WASN'T shows us the ongoing conflict between an opposition clinging onto the ideals that once formed the Soviet Union and those ruling Russia with a firm neo-capitalist grip. A film about political activists in the Russian underground who know they might have to sacrifice their lives in order to fight a system which seems unbreakable from within.

The Relaxed Wife
ES ES-OVNI RSC-3002 · Item · 1957
Part of Non-Identified Video Observatory (OVNI)

Remarkable, surreal industrial film promoting "Atarax," a tranquilizer, and asserting how "ataraxic medicines" can help us all to achieve the relaxed state we long for. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

Untitled
ES OVNI RSC-1357 · Item · 1976
Part of Non-Identified Video Observatory (OVNI)

"Common Knowledge". It focuses on the representation and the ego, always in the foreground, and the story is mysterious. The Red Tapes is the key work of Acconci, a kind of epic in three parts. Acconci tracing the topography of the self within a societal context (...) building in this search of self and America a dense, poetic text.

The Rainbow Man/John 3:16
ES ES-OVNI CTX-S013-SS007-0125 · Item · 1997
Part of Non-Identified Video Observatory (OVNI)

Millions of Americans have seen Rollen Frederick Stewart, a.k.a. “Rainbow Man”, who achieved notoriety during the late 70's by appearing in the crowd at thousands of televised sporting events wearing his trademark rainbow-colored afro wig. Later -after he became a born-again Christian- he added a sign reading “John 3:16”. Over the years, grabbing the attention of the media became an obsession for Stewart. He abandoned his home and marriage to roam the country living out of his car, studying TV Guide each week in a never-ending quest to stay televised...

Untitled
The Rainbow is Yours (vol 1)
ES OVNI RSC-837 · Item · 1996
Part of Non-Identified Video Observatory (OVNI)

Seven color film that explores the seduction of a generation of Americans through the glamour of the 50s and his obsession with the appearance of the object of consumption. Includes: "American Look" and the musical of General Motors, "Design for Dreaming".

The Purple Meridians III
ES ES-OVNI EXP-S009 · Series · 2023
Part of Non-Identified Video Observatory (OVNI)

The Purple Meridians III

The Purple Meridians III

Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

Two main themes would be the focus of this third event:

the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

The speakers will be:

Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

The press conference will feature also an intervention by a Palestinian filmmaker.