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How can you document the elusive stuff myths are made of? That is what the furtive chalk graffiti on freight train wagons is, the fleeting consecration of their anonymous creators. The word “graffiti” stands for an art with schools and aspirations, very different from that other fleeting and legitimately popular art, which may bring to Argentinian minds the painted messages on the rocks of Mar del Plata. Bill Daniel pulls it off by getting onto those bare wagons with his camera, by traveling with those who load them and the tramps who use them.

Masha's father and Katya's grandfather are on paternity leave. They are among the very few (46 to be exact), men from Kiev who dared to use their right to take parental leave. Challenging their traditional role as breadwinners, overcoming social stigma, and encouraging their wives to fulfill themselves outside of the home, Masha's father and Katya's grandfather do not think of themselves as heroes or dependents. Instead, they are pleased that - with their own courage and support from family members and friends - personal choice can prevail for them and their wives over traditional gender roles.

Triggered by the memoirs of a medical missionary on the Afghan borderlands, this film is constructed from still photographs of colonial life on the North West frontier of British India at the turn of the 20th century. Searching for clues to the realities behind images framed during a time of colonial conflict, the film plays sound against image to find contemporary parallels in Western portrayals of a distant place and people.

A documentary that examines America's policies regarding making war, most recently the Iraq war and what is termed “the Bush doctrine”, which includes pre-emptive strikes. The author suggests that this policy has been in the works for many years, reviewing past wars in the 20th century. A variety of individuals are asked “Why de we fight?” and, predictably, come up with a variety of answers. This is followed by a look at today's U.S. military/industrial complex via interviews with individuals involved in it.

Like most visionaries, William Burroughs takes his inner war outside the walls, to fight against the evil spirits of power and control that roam the human race. How do these "alien spirits" get us to want always more, better, newer, disregarding the consequences? For Burroughs, it´s simple: we are the junky and the pusher, locked in a deadly embrace of desire.

William Kunstler was one of the most famous lawyers of the 20th Century. The New York Times called him “the most hated and most loved lawyer in America.” His clients included Martin Luther King Jr., Malcolm X, Phillip and Daniel Berrigan, Abbie Hoffman, H. Rap Brown, Stokely Carmichael, Adam Clayton Powell, Jr. and Leonard Peltier.