At the beginning of the 1920s, the Austrian Leopold Weiss takes a journey to the Middle East. The desert fascinated him and Islam became his new spiritual home. He left his Jewish roots behind, converted to Islam and started calling himself Muhammad Asad. Becoming one of the most important Muslims of the 20th century he first started to work as an advisor at the king's court of Saudi-Arabia, later translated the Koran, became a co-founder of Pakistan and finally ambassador of the UN. The director finds a man who was not looking for adventures but rather wanted to act as a mediator between Orient and Occident. A Road To Mecca takes the chance to deal with a burning debate which is starting to gain more and more importance nowadays.
UntitledA presentation of Stran-Steel Division, Great Lakes Steel Corporation. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
Documentary about people that have been tortured during the Algerian War of Independence by Le Pen.
UntitledHappy Birthday to the National Front! For a long time, driven by the need to establish a dialogue around the Algerian War, René Vautier recorded the testimonies of Algerian independence activists, French conscripts and reservists, generals of the French army, historians... Thus, Mohamed Moulay, Ali Rouchaï, Mohamed Loulli, Germaine Tillion, Paul Teitgen, Pierre Vidal-Naquet, Colonel Antoine Argoud, General de Bollardière, and General Jacques Massu, among others, gave their testimony before Vautier’s camera. A documentary long unseen that reminds us where the National Front comes from, which changed its name and gained some respectability after Jean-Marie Le Pen’s leadership. Warning: The film is a rescued copy. The technical quality is degraded, but that is only a detail... The Man with Bloody Hands (by René Vautier) I had embarked on a historical project: recording on video tapes the “memories” of witnesses of the Algerian War, so that one day young students from France and Algeria could write together, in images, a common history of the relations between the two peoples. I was told about a man, in Saint-Eugène, who, despite having been tortured, had trouble asserting his pension rights because he had never been a member of the FLN. I interviewed him somewhat by chance: he told me about his tortures, and how, between sessions of “gégène” (electric torture) and “bathtub” (immersion torture), his torturers had pushed his thumbs into his eye sockets: “as if they wanted to make my eyes pop out.” Then I did what I always did: showed him a series of photos of paratrooper officers, to ask if he recognized his torturers. Very dignifiedly, he told me he could no longer see... but he added: “I have a paper from Mr. Mayor (the mayor of Algiers at the time was Jacques Chevalier, former Minister of Defense under Mendès-France) where the name of the paratrooper lieutenant is written.” That’s how I saw that the name he couldn’t read — he had gone blind due to the tortures — was that of Lieutenant Le Pen. I had Jacques Chevalier’s signature authenticated by his family members and people who had worked with him; I checked documents from the time — there was no doubt. Apparently, there is a law in France forbidding the use of testimonies about atrocities committed during the Algerian War. Let’s not be ridiculous: Austrians are suspected of putting at the head of their republic a man accused of having “covered up” tortures, and yet we should hide from the French documents that the whole world will feast on during the presidential elections? Because no law can prevent the whole world — except France! — from knowing that we will have a candidate not only with delirious statements but with bloody hands. This article was published in L’Humanité on September 29, 1987.
"A Movie" is essentially a story about society's progress, driven primarily by the competition turned into a spectacle of the conventions in times of war.
The summer of 2006 should have signalled Beirut's return to its former glory after years of civil war reconstruction and the struggle for political stability. Instead, the city was blockaded, its newest art-house cinema was filled with refugees, and the country's most famous festivals in Baalbek, Beiteddine and Byblos were scrapped.
UntitledA cinematic document of simultaneous degradations of human space and dignity in Delhi, images of how roads, walls, constructions-in-progress, ganda nalas, billboards, all in some way attack the human body.
After the Soviet Union collapsed, Belorus became an independent country and a humanistic Lyceum was founded in Minsk, with the aim of raising an elite Belorusian intelligentsia. However, in 1995, Lukashenka comes to power. Democracy and freedom come to an end. Also the Lyceum is labelled a banned institution. The Lyceum pupils do not give up though, but steadfastly keep studying in the underground. The Presidential elections, for which Lukashenka changed the Constitution in order to be elected for a third term, become the culminating point of the film. Despite the fear of repression, thousands of people enter the streets. In the main square of Minsk, the Lyceum pupils join forces to build a tent city, which is then brutally pacified by militia. Hundreds of people end up in prison. However, the Lyceum pupils do not give up, they deeply believe that one day Belorus will be a free country