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a.k.a. Kathe is a portrait of a Mexican-American family from Tuckson, Arizona confronting the loss of a family member, Kathe. Kathe was fatally shot by a young man who through the course of this documentary is trailed and sentenced to only one year. The portrait of the life of a drug-addicted street prostitute, it also shows the repeating cycle of violence towards women.

Documents from the dark side of the empire. Government and corporate promotional material from military, pharmaceutical, digital and other mega industries...promoting them and their unspoken interests.

Promotional clip for the recruitment of military pilots. USMarine.

Fourteen young Moroccan newcomers to a reception center for minors in Spain agree to participate in a theatre workshop. It is the thin line that separates their recent past from their uncertain future. What is theatre but a full experience of the present? (2019-2001) ذكرى المرحوم عبد الصمد العبودي IN MEMORY OF ABDESSAMAD EL ABOUDI (2001-2019) Ahir/demà [Yesterday/tomorrow] family is very sad today. Extremely sad. One of the young boys who took part in our documentary, one of the protagonists, our brother Abdessamad El Aboudi, died in Barcelona yesterday afternoon. We are devastated. Together with Abdessamad, we shared the experience of the workshop given by Jesús Muñoz and Pau Pons, of the Pont Flotant theatre company, at the Reception Centre for Minors in Buñol, Valencia. He joined in with great enthusiasm. His energy was powerful. He was skilled, intelligent and very talented. During those sessions on Tuesdays and Thursdays he was happy. He also agreed to participate in the documentary we made to tell that story. In the film he could not transmit more happiness and life. Today, dear Abdessamad, son, brother, nephew, friend, we remember you. You are now a part of us.

A family’s place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There’s no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.

A documentary about the Bread and Puppet Theater made from compiling footage from many years. The process used as well as the resulting theater is presented.