In April of 2013, American singer Patti Smith travels to the grave of French writer Jean Genet in Larache, Morocco. She brings him three stones, which she collected for him over 30 years ago. "There are places of yearning. There are promises that accompany us our entire lives. And there are friends, who listen and ask questions. Frieder Schlaich and Patti Smith are linked by just such a friendship. Tangier is the place, and the promise is one that was made to Jean Genet. Patti Smith has been carrying the secret around with her for many years, inside a matchbox. When chance creates a situation that brings everything together, she is able to honour her promise. Frieder accompanies Patti through the city he feels so close to, and she speaks of that which is close to her. At the cemetery they encounter a young boy who carries the spell of the story further. Two rolls of black and white film, a Bolex and the few minutes before a live performance limit the shooting time. Having the necessary concentration and knowledge of one another is what sets the film apart. The view across the ocean lies in its limitation.“ (Berlinale Shorts 2014).
UntitledMade over six years in the hotels of six different countries, Hotel Diaries is a series of video recordings which relate personal experiences to the current conflicts in the Middle East. In these works, which play upon chance and co-incidence, the hotel room is employed as a 'found' film set, where the architecture, furnishing and decoration become the means by which the filmmaker's small adventures are linked to major world events. Works in the series include Frozen War (Ireland, 2001), Museum Piece (Germany, 2004), Throwing Stones (Switzerland, 2004), B & B (England, 2005), Pyramids/Skunk (The Netherlands 2006/7), Dirty Pictures (Palestine 2007) and Six Years Later (Ireland 2007).
UntitledSome digital entertainment icons and references
Untitledtranslate
A new place in the world is revealed while Bea is confronted with loss and what she imagines will come. In the house that prepares itself to embrace change, fears dwell. An unforeseen loneliness also seems to be part of her desire, that of being a mother without a partner and a lesbian. Raquel films her attached to a time when the two shared the same idea of community. As Bea’s body changes, the camera moves between affection and distance. An attempt to get to know each other (again), and perhaps also a need to wonder about family, love, friendship and all those desires that overflow the limits of intimacy.
Untitled2 Mostra de Vídeo Independent de Barcelona 1994.
Untitled
For more then 500 years indigenous people in Chiapas have been struggling to regain ownership of their lands. Until the Zapatista uprising in 1994, most indigenous people in Chiapas existed by working on large plantations for rich landowners. “The Sacred Land” describes what life was like on these plantations. It includes stories that go back four generations about slavery-like conditions in which people worked for the rancheros. Produced in the autonomous municipality of "November 17th" and edited by indigenous video makers, The Sacred Land helps provide a context for the events of 1994 through unique insight into the past. Community members reflect on how life has changed since 1994 and express their hopes and dreams for their collective future.
Untitled