The Universal Clock (UC) is a documentary, which accompanies the boxed dvd set of Peter Watkins' La Commune (Paris, 1871). UC takes us through the production process of La Commune and also shows us the commercial barriers to having Watkins' recreation of the Paris Commune shown after it was created. “The Universal Clock” refers to the standardization of video content on the 47-minute model (with commercial and public service announcements taking up the balance of the time.) Watkins calls this the 'monoform' and is shown describing this concept. UC also includes interviews with the cast members, who are non-professional actors participating in this group project. These Parisians and immigrants talk about how being part of the performance changed the way they view themselves and the media around them.
UntitledThe Very Eye of Night (1958) was a collaboration with the Metropolitan Opera Ballet School. The film was beset by problems in its production and carried with it a heavy weight of expectation. A shimmering constellation of stars established the background for negative images of figures resembling Greek Gods superimposed on and magically transported along the milky way. Deren called it her ‘ballet of night’, an ethereal dance within a nocturnal space that focused on the spectacle rather than the narrative. Ito collaborated on the soundtrack using tone blocks and bells, recalling the trance rhythm of Meshes of the Afternoon. Prioritizing enchantment over interpretation, The Very Eye of Night proved to be Deren’s most controversial and misunderstood film.
The Visitor is an almost mythical account of the artist's audience with Oba Erediauwa, the current king of Benin (in southern Nigeria) and takes the form of a photo-essay. A local narrator follows the artist into the Oba's palace and recounts the conversation between the European visitor and the royal host and his court of chiefs. The exchange centers on the Benin Bronzes (which were famously looted by the British in 1897 and are now in over 500 museums and collections mainly in the West), on collective memory and the demand for restitution.
Untitled“The Voice” shows a world where fundamental Christians and Muslims have finally found out that their basic values are pretty much the same. They join forces and take command of the prosperous northern hemisphere. The rest of the planet is about to be sealed off by a giant world wide wall. Villains, heathens and other evil people stay on that other side of the wall. Long live the Great Northern Union!!! But nobody is safe, the threat looms. Is the enemy among us? Where is the solution to the problem? The Voice Television Network gives us an answer.
Untitled‘The Voices' tells the story of three lonely persons, each living on a different floor of an apartment. The first floor houses a sound engineer who is just abandoned by his wifeand tries to win her back by establishing his own home studio. There is a girl on the third floor who lives alone and is waiting to emigrate to the US. Between those two floorslives a man who seems to be a criminal. When he murders another man, the lives of the three people suddenly become interrelated. However, they only communicate through voices.
The film tells of the lives of four young men in a refugee camp who dream of inviting Rogers Waters (Pink Floyd) to give a concert in their camp, thus giving us an insight into the lives of these young men, their struggles and the daily hardships they face in order to survive.
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