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Five Palestinian, Israeli and international activists paint themselves blue and don pointy ears and tails that make them look like the characters in the film Avatar. Although their colonisers are from different origins, the Avatars, like the Palestinians, fight imperialism. 'The Avatars' presence in Bil'in today symbolizes united resistance to imperialism of all kinds.

Images filmed in the New York subway, with a choral soundtrack from the basílica of Montserrat. This piece underlines the eternal in the relationship between mothers and children in a world of constant change.

“Avenge But One of My Two Eyes” is a ramble between three arenas at the height of the “El Aqsa” Intifada: the practice of the Masada cult, reinvented in the mid-1940s and interwoven with the leading Zionist discourse, the condition of oppression and besiegement of the Palestinian people in the occupied territories, and the continuous religious and secular cult of Samson, aka “Samson the Hero”. Real places, times and situations penetrate one another and integrate, presenting the Israeli reality as it is: embroiled, violent, suicidal.

The paintings and stories of the painter Don Pablo Amaringo's Amazonian and religious realities subtly guide you through this film, in which you share space and time with a series of teachers who are experts on the language of the Amazon's plants, seen by many as “the world's pharmacy”. This documentary is called “Ayaruna”, which means “deceased” in Quechuan, and acts as a bridge between different realities, setting up a profound philosophical dialogue that deals with the language of the spirit and covers subjects like the mystical experience and medicine in our time.

Survival relationships.