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Vikeeh Uppal is a young Indian who works in a Calcutta Call Centre selling cell phones and ?re extinguishers to America and Great Britain. Vikeeh lives with his traditional Punjabi family and has never been out of Calcutta. The Brits he deals with on the phone, Hollywood movies and Manchester United soccer matches give him an idea of the globalized world.

A man planned to get married. From there, everything starts. A series of photos, which retrace his evolution (death, separation, distance and birth) in a fixed frame with a masculine voice in off which tells us the invisible stories behind the photos.

CAAMI creates a relationship between the hermetic world of culture and television consumption, the sacred ambience of the museum and tele-shopping, in a video about the Atlantic Centre for Inflatable Modern Art, a parody of the culture industry and the television genre. 3 Mostra de Vídeo Independent de Barcelona 1996.

Panorama of Moroccan Video. Abdelmajid Seddati (Festival Art Video de Casablanca ) + OVNI. 6th Independent Vídeo & Interactive Phenomena Show

A military helicopter circles in the sky like an evil wasp. Chaos on the ground after the attack. A fast-paced sequence - bleeding people, burning cars and confused soldiers. Subheading: From Beirut - with Love. A cinematic postcard-greeting, so bitter and cynical, it can only come from a city at war with itself. The only dialogue in the film reveals a surprising connotation: Beirut is Paris, or Madrid, or any other metropolis. The scene is set: youth without a future, bomb attacks, drugs, arms, soldiers. The postcard has arrived.

An old building in Barcelona's historic Barrio Chino is the setting for this documentary. Real estate “mobbing” and the urban rehabilitation of the old city are the narrative thread, the economic machines that drive real estate speculation. They take over the neighbourhood, burying its history and memory.