An exploration of the responses of people belonging to different associations in the seaside neighborhood of La Barceloneta, who are facing an urban plan proposed by the government of Barcelona. The plan consists of placing elevators inside the traditional neighborhood houses. By criss crossing the perceptions of various characters, we perceive the creative tensions that reveal some of the ways people experience local conflicts and different ways of resolving them.
Digital Video consists of binary information (0/1), which is interpreted by various algorithms. Manipulating the information restrains these algorithms from displaying the video correctly. Furthermore the decoding methods come into the picture due to the fact that video is generated by the relation of information and interpretation. As a result the illusion of reality gets destructed. Codes and mathematical processes act in place of corporeity and emotions.
Port Trade Portrait is a portrait of the old Barcelona cargo port, which has been transformed into a tourist leisure area. Today, tourists step around Africans who are trying to make a living in the face of the constant threat of persecution and detention, right on the same docks from which the slave ships that enriched distinguished families set sail not so long ago.
UntitledInteractive video installation for computer with touchpad, laserdisc player and video monitor. The CD-ROM adaptation of Portrait One as part of Artintact2 was launched in June 1995 at the Multimediale in Karlsruhe. It has been presented in more than fourty venues since. The DVD adaptation of Portrait One as part of the Artintact Series was published in February 2002.
UntitledIn an area of Brussels that I do not know, I randomly selected a street. I decided to come here every Sunday with a camera and a microphone to meet population. The film is made of seven encounters, where we try to understand each other, and talk about little or big things that life is made of.
Portraits of Emotion follows over the course of four years the life of 15-year-old Jonathan Lerman, an artistic prodigy who is diagnosed with autism, a lifelong developmental disability that affects learning, communication and social interaction. Although he struggles to connect with others verbally, Jonathan is able to process his world visually. He draws compulsively, his sure strokes creating astonishing portraits that capture the nuances of human emotion. Of particular interest to those who follow the world of "outsider art," over one hundred of Jonathan's portraits have been sold to collectors and admirers. The film follows Jonathan through his day to day activities, capturing his family life with incredible intimacy, and showing the implications of raising a child with special needs. By giving the audience an in-depth look inside Jonathan's life, Portraits of Emotion builds awareness about the effects that autism has on a family over time. Sometimes heart-wrenching, at other times comedic, Jonathan's story encourages people to reevaluate their assumptions about intelligence, talent and disability.
Observatory Archives 2003
/ CONTEXT 1994 - 2020
Observatory Archives 2003
The screenings for this edition will be based on a selection from the 150 audiovisual documents that have been added to the Observatory Archives over the last 18 months.
Together, this material reflects some of the most serious issues of our time, using different media and languages such as video art, independent documentary, media archaeology....to reflect the process of Globalisation and the Resistance it generates, and conflicts such as Palestine, Argentina, September 11th, etc.
The difference is that these issues, which we are used to seeing in the news headlines, loose here their relationship to news because they are taken out of this context and approached through different formal means and points of view, in a constant exchange between the micro to the macro; from microworlds and subjective experience to collective and social visions.
The program of screenings in this edition is based on a dialogue between two interconnected archives; on one hand, the works created by individuals or collectives that form the nucleus of the Observatory Archives, and on the other, the contemporary media archaeology material that makes up the Babylon Archives 1999-2003.
Autonomedia Ed. NYC. [www.autonomedia.org]
New York-based Autonomedia is one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. www.autonomedia.org Their publications include: Temporary Autonomous Zones , by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism , by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.
Lectures: Jim Fleming, Lewanne Jones, Eric Goldhagen.
Negativland [www.negativland.com]
Negativland Through their musical and media experiments since the early eighties, Negativland have been exploring the limits between intellectual property and market tyranny, fair and illegitimate use of information, and especially the right to deconstruct and reinterpret fragments of the media we are all constantly bombarded with.
Steve Reinke [www.myrectumisnotagrave.com]
Steve Reinke In the late 90s, Canadian artist Steve Reinke embarked on a project that consisted of making 100 separate videos. The result is a portrait of places, confessions and characters, media monsters and also ruins, forming a complex map of distant lands that are just around the corner. The Hundred Videos is a kind of web in which everything is mixed together, from the personal to mass media usurpation. In OVNI 2003 Steve Reinke will present and talk about the 100 Videos and his subsequent projects.
Lecture: Steve Reinke
A contemporary media archaeology project that collects and compiles material from the dark side of our civilization. Promotionals from corporative, militar, pharma and digital industries. Many of these audiovisual documents were not produced to last, but rather to fulfill specific functions at a particular time: training, publicity, etc...this is why, when they are taken out of the context of their time or intended use, their meaning is revealed with surprising clarity even to those used to the constant publicity aimed at consumers. The result is a disturbing catalogue of intentions, aims and the means used to achieve them.
Documents from the dark side of the empire. Government and corporate promotional material from military, pharmaceutical, digital and other mega industries...promoting them and their unspoken interests.
Many of these materials were not intended to last, but were produced with very specific purposes in mind: educational, promotional, propaganda, etc. As such, when they are taken our of their temporal or corporate contexts, they take on a transparency of meaning that is astounding, even to those who are used to consumer advertising. The result is a disturbing compendium of intentions, objectives, and the means to achieve them.
The Babylon Archives are embedded in the program (see program).
There will be a public presentation of the copyleft edition of the DVD Archivos Babilonia - The Dark Side of Empire ( 1999- 2003) .
Thematical screenings
Hall and Auditorium.Simultaneous Screenings
Centre de Cultura Contemporània de Barcelona
Montalegre 5. 08001 Barcelona
Image: Apolinario Mabini . Autonomedia's Jubilee Saints Calendar
Autonomedia Ed. NYC. https://www.autonomedia.org/
... 3 Mostra de Vídeo Independent de Barcelona 1996.