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Unrelated men and women tell their love stories.

Portraits of a small community, the memory, the interpretation. 6th Independent Vídeo & Interactive Phenomena Show

His Name Was Not Frankenstein

The fragmented face and the wrath of the clan

Faculty of Geography and History, room 409, Universitat de Barcelona, Montalegre 6

 Why do we find the fragmented face of Frankenstein’s Monster so fascinating? The monster in the 1931film was certainly one of the most successfully characterisations in the history of cinema, but there issomething more: it raises a question that goes beyond the creen and has something to do with the idea of that spectre haunting Europe that opens The Communist Manifesto.

The workshop will dissect the film Dr. Frankenstein (1931) to try and understand how terror and dreams are      connected in the logic of the fight against the master.

https://www.libroscorrientes.es/frankenstein/

https://www.libroscorrientes.es/frankenstein/

Gibbons presents his oppressive relationship with his dog.

In the 1960s and 1970s thousands of hippies journeyed east to India in search of enlightenment. Indian peasants assumed that a severe drought in the West was the reason for their migration. India's holy men saw it as a search for spirituality. Most moved back to their home countries after a few months or years while others stayed for good. Hippie Masala is a portrait of Western ex-patriates: Robert from Holland, a gifted painter, lives with jos wife and young children. Meera, a hermit, seeks enlightenment on her own, while Cesare, an Italian expatriate, strives for spiritual liberation through back-breaking yoga. Hanspeter, a man originally from Switzerland, runs a small farm in the Himalayas. Erica and Gillian, South African twins, sew hippie handicrafts by day and party tirelessly at night...

This is a riveting documentary that examines representations of gender roles in hip-hop and rap music through the lens of filmmaker Byron Hurt, a former college quarterback turned activist. Conceived as a “loving critique” from a self-proclaimed “hip-hop head”, Hurt examines issues of masculinity, sexism, violence and homophobia in today's hip-hop culture.