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Jan. 25, 1996
ES ES-OVNI CTX-S003-SS003 · Subseries · 1996
Part of Non-Identified Video Observatory (OVNI)

/ CONTEXT 1994 - 2020

United Kingdom (Great Britain).

Direct Effects. Public Service Annuncemen

United States of America.

La razón de la insumisión

Minuesa: Una Ocupación con Historia

United States of America.

United States of America.

Aparición de la Virgen

Santa Sevilla (a vista d'àliga)

United States of America.

Cross Cultural Television

United States of America,

United Kingdom (Great Britain).

TV News Looking for the Right Stuff

United States of America.

United States of America.
Jan. 24, 1996
ES ES-OVNI CTX-S003-SS002 · Subseries · 1996
Part of Non-Identified Video Observatory (OVNI)

/ CONTEXT 1994 - 2020

In Search of the Absence

United Kingdom (Great Britain),

United States of America.

United States of America.

AndHard Stones Grind to Meal

United States of America.

La sequence des barres paralleles

United Kingdom (Great Britain).

Look mun I can Driv... Bonk!

United Kingdom (Great Britain).

MPO Television Films, Inc

United States of America.

Jam Handy Organization for Chevrolet Division

United States of America.

MPO Television Films, Inc

United States of America.

Jam Handy Organization for Frigidaire Division of General Motors

United States of America.

Looking Ahead Through Rohm and Haas Plexiglas (Part II)

Jam Handy Organization for Rohm Haas

United States of America.

Once Upon a Honeymoon

Fairbanks Jerry Productions for AT&T Bell System

United States of America.

Technicolor for Industrial Films

Technicolor Corporation

United States of America.
Jan. 23, 1996
ES ES-OVNI CTX-S003-SS001 · Subseries · 1996
Part of Non-Identified Video Observatory (OVNI)

/ CONTEXT 1994 - 2020

In Search of the Absence

United Kingdom (Great Britain),

United States of America.

United States of America.

AndHard Stones Grind to Meal

United States of America.

La sequence des barres paralleles

United Kingdom (Great Britain).

Look mun I can Driv... Bonk!

United Kingdom (Great Britain).

MPO Television Films, Inc

United States of America.

Jam Handy Organization for Chevrolet Division

United States of America.

MPO Television Films, Inc

United States of America.

Jam Handy Organization for Frigidaire Division of General Motors

United States of America.

Looking Ahead Through Rohm and Haas Plexiglas (Part II)

Jam Handy Organization for Rohm Haas

United States of America.

Once Upon a Honeymoon

Fairbanks Jerry Productions for AT&T Bell System

United States of America.

Technicolor for Industrial Films

Technicolor Corporation

United States of America.
James A. FitzPatrick's Traveltalks
James A. FitzPatrick's Traveltalks
ES ES-OVNI CTX-S013-SS007-0129 · Item · 1930
Part of Non-Identified Video Observatory (OVNI)

When Metro-Goldwyn-Mayer commissioned James A. FitzPatrick's globe-trotting series of short films called Traveltalks, little did they realize the lasting entertainment value these seemingly innocuous one-reelers would possess. Each masterfully crafted film offers precious, priceless glimpses of people and lands soon to be invaded by the homogenizing influences of modern technology and consumer culture.

 Untitled
J'ai (très) mal au travail
ES ES-OVNI CTX-S014-SS001-0120 · Item · 2007
Part of Non-Identified Video Observatory (OVNI)

J'ai (très) mal au travail

titulos: Souffrance et plaisir au travail : Maguy Lalizel, ex-ouvrière de Moulinex (43 min), Marie Pezé, psychanalyste (28 min), Paul Ariès, politologue (31 min), Christophe Dejours, psycho-dynamicien du travail et psychanalyste (110 min) Cinq hommes et un garage (un film de Basile Carré-Agostini - 55 min)

http://www.films-graindesable.com/les-dvd/

http://www.films-graindesable.com/les-dvd/

 Untitled
J'AI TANT AIMÉ
J'AI TANT AIMÉ
ES ES-OVNI CTX-S013-SS004-0004 · Item · 2008
Part of Non-Identified Video Observatory (OVNI)

“I wanted to live like modern women who live love”, says Fadma, now an elderly Berber lady, once employed by the French colonial army as a companion for soldiers during the Indo-China wars. Far from nostalgic or regretful, she makes for a open and utterly compelling central character in Dalila Ennadre's frank and intimate portrait of these Moroccan “comfort women” and their lives after the war. In the process, the film opens up a fascinating picture of a great sweep of Moroccan history.
Jafaiki [0.1] (soplo)
ES ES-OVNI CTX-S012-SS007-0088 · Item · 2002
Part of Non-Identified Video Observatory (OVNI)

The word is like the fire that fell from the sky in the shape of Garizi (the tuber of power), which our ancestors once ate. It's not tangible, it can't bee seen, it is simply an exhalation (Jafaiki). Odo Buijidima.

 Untitled