The director travels with a group of young Moroccan women who are going to visit their families. A story about migration, reunion, and loss.
UntitledHe travelled to another land, a different sea, and was certain that he had found a better city. But he didn’t realise that his own city was travelling with him.
UntitledThe heroic characters in mainstream fiction always show individualist attitudes as a possitive matter. In this video, the heroe's individualism is taken to its complete extreme.
European Parliament in Brussels. A group of deputies received a visitor, a native of Ecuador, but do not let him pass. Condensed history of a sterile mismatch and its causes.
The people of Pankisi Gorge believe that all the important issues of their lives and deaths should be solved through mediation of a favored authority. Altzaney is a woman who interferes in other people’s lives and takes responsibility for it. She mediates between conflicting sides and the two worlds. Altzaney is the only woman trusted to take care of the dead.What makes her so distinguished and authoritative in a totally patriarchal environment, and what is the price she has to pay for it? Altzaney gives an insight into a unique community of Pankisi Gorge.
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A Tuareg man sits and talks to the camera about the extermination of his rebellious people. With his face hidden and dressed in blue, he gives instructions on how to record his testimony: without his image, without his voice; from that moment, subtitles express his arguments. Tuareg historic memory is transmitted orally, translated in its transcription on the screen which explores moments from daily life and traditional festivities of this desert peoples. A silent document, with music, on the Tuareg community which is ignored by the media and is being systematically massacred by the country's army. The desert which was once an open space has become their prison. ?
Amandla! is an impassioned chronicle of the role of music as a mean of protest and survival through more than 40 years of struggle against racial oppression. “The apartheid government took everything away from people, but it couldn't stop them from singing”, says director Lee Hirsch. In the songs there could even be found a rare ability of South Africa's people to find humour and creativity in impossible conditions, in abject poverty - and in battle.
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