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The experiences of a young Arab American, Christian woman travelling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the disturbing "ordinariness" of living under constant curfew. Forbidden to Wander is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.

Twenty videos filmed secretly in several prisons in Quito, Ecuador, over a three year period. Far from simply idealising participative mechanisms, the method used in this audiovisual project ensures that the inmates' point of view remains. Whether this point of view is mediated by learning techniques on graphics, or the inmates pose before the camera like actors, they are always fully aware of the work to be done and, at the same time, of the motivations behind this project. The clandestine nature of the camera and the non-hierarchical production process created emotional bonds that, in one case, went beyond the prison and were reproduced on the outside, affecting relatives and friends.

Islam stands for change. It seeks to change the individual and society, into a community: the “ummah”, an Arabic word that comes from the root "um", or "mother". This change covers every aspect of human life from personal morality ho business, economics and politics. It is only natural that Islam should be fought by those who want to keep the status quo. “On the pilgrimage (to Mecca), I had close contact with Muslims whose skin would be classified as white, but these particular Muslims didn't call themselves white. They looked upon themselves as human beings, as part of the human family and therefore they looked upon all other segments of the human family as part of that same family. So, I said that if Islam had done this, perhaps if the white men in America would study Islam, perhaps it could do the same for them”.