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In a bid to reach a better life, hundreds of Moroccan kids sneak into Melilla, a Spanish enclave in the north of Morocco. This is the story of Said, a deaf Moroccan boy stuck in this Spanish portion of Africa, awed by a false sense of prosperity, tries to jump into one of the many boats that will take him to the peninsula and eventually to the fulfillment of his European dream.

NEGATIVLAND OUR FAVORITE THINGS.

Presentació / visionat a càrrec de Mark Hosler membre fundador de Negativland. Realitzada per Negativland en col·laboració amb diversos filmmakers experimentals.

OUR FAVORITE THINGS (NEGATIVLAND: PAST PRESENT AND FUTURE o NEGATIVLAND: CREATIVE MITJANA RESISTANCE) és una presentació de la sèrie de vídeos en la qual Negativland mostra el seu afecte pels sons oposats i l'ús irònic i crític de la cultura de masses bolcada en el món del cinema experimental. Durant els últims 22 anys Negativland ha publicat 19CDs i dos llibres: "Fair Usi: The Story Of The Letter O And The Numeral 2" i "Deathsentences Of The Polished And Structurally Weak" i han estat processats dues vegades per infracció de copyright. S'han convertit en artistes/activistes francs i coherents (particularment en el context de la propietat intel·lectual) proporcionant un soundtrack al creixent moviment global contra el poder corporatiu en les nostres vides.

https://www.negativland.com/

https://www.negativland.com/

In today's globalized world with big infrastructure such as Internet, world-trades, and so on to have easy-access to our homeland, how can we recognize the exchange between circumstances and our identities? It could be easy to depend on your nostalgic home and not to go out to new world. Only the sky that I have never seen before makes me realize that I'm already out of my past. Trails draw borderlines to leave the story behind, and to find the new with wishes.

Within an image, another one is always hiding. Using only archive footage and without words, Still Life aims to rediscover and delve into the opacity of images made during the 48 years (1926-1974) of Portuguese dictatorship (news, war footage, propaganda documentaries, photos of political prisoners and also previously never seen rushes) in order to foster new interpretations.

4 Mostra de Vídeo Independent de Barcelona 1997 & Fenòmens interactius