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Sahara Chronicle
ES ES-OVNI CTX-S018-SS001-0001 · Item · 2007
Part of Non-Identified Video Observatory (OVNI)

Transit migration through the Sahara is a large-scale collective experience that is best understood, perhaps, in its systemic dimension. Highly adjustable, these movements have generated prolific operational networks, systems of information and social organization among fellow migrants as well as interaction with local populations. The long-term video research Sahara Chronicle (2006-2009) works with a notion of geography both as social practice and organizing system. The project is an open anthology of videos on the modalities of migration across the Sahara. It introduces the migration system as an arrangement of pivotal sites, each of which having a particular function in the striving for migratory autonomy, as well as in the attempts made by diverse authorities to contain and manage these movements. Sahara Chronicle involved field trips to the transit migration hubs in Agadez and Arlit in Niger, in the Libyan desert, on the Algero-Moroccan border; Mauritania and the Western Sahara as well as the harbor where clandestine boat passages leave from Senegal to the Canary Islands. Sahara Chronicle is part of the collaborative art and research project The Maghreb Connection - Movements of Life across Northern Africa.

Untitled
ES ES-OVNI CTX-S012-SS007-0089 · Item · 1957
Part of Non-Identified Video Observatory (OVNI)

A documentary put together from an anonymous collection of 16mm home movies showing safaris in Central Africa filmed between 1957 and 1963. The footage, which was later edited and had a sound track added, shows a group of friends, lovers of small game hunting, meticulously filmed by a cameraman: a safari in French Equatorial Africa (Chad), footage of “kills” in Cameroon, Angola, Mozambique and other African countries, that have the impact of a colonial-touristic expedition.

Untitled
Sadie the Saddest Sadist
ES ES-OVNI RSC-3277 · Item · 2009
Part of Non-Identified Video Observatory (OVNI)

Sadie, The Saddest Sadist narrates the travails of a female munitions worker in Britain. The story is ultimately about exchange; Sadie trades her labor for patriotic satisfaction and money in the munitions factory, and then gets into a different type of exchange with Jack, a sailor she meets on the street. In keeping with the themes of exchange and war, the visual and verbal languages of Sadie are systems of shared, public meaning: the cartoon and doggerel poetry.

Saddle Sores
ES ES-OVNI CTX-S007-SS002-0003 · Item · 1998
Part of Non-Identified Video Observatory (OVNI)

The author gets herpes after a single sexual encounter with a cow-boy. This video reflects on this experience and the consequences it also reviews with irony the figure of the cow boy in the American culture. 6th Independent Vídeo & Interactive Phenomena Show

ES ES-OVNI CTX-S012-SS007-0102 · Item · 2001
Part of Non-Identified Video Observatory (OVNI)

After a year of guerrilla warfare in Bolivia with a small group of 52 comrades, Che was now dead. His dream of uniting Latin America through armed revolution had come to an end. The person who, more than any other, has gone down in history as guilty of Che's death is his former lieutenant, Ciro Bustos. When captured, he drew Che's portrait for the Bolivian army. Since then he has been living in silence. He now appears for the first time in a documentary film. His version of the events raises questions about how history is written.

Untitled
ES ES-OVNI CTX-S011-SS003-0012 · Item · 2003
Part of Non-Identified Video Observatory (OVNI)

Soy Defensor de la Selva relates how the Sarayaku community struggles against CGC when this oil company enters Sarayaku territory in order to carry out seismic prospecting, without the consent of the community. The video shows how the Sarayaku community confronts the oil company crews in order to stop them. The conflict intensifies when the military intervenes, reaching body-to-body confrontations. The women are the main protagonists of the video. Men, women, and children go out to guard the traditional limits of the community. The film shows the life in our Camps for Peace and Life, and contains the testimonies of our elders, as well as traditional music as background. This is the story of a small community struggling to save its space of life.

Untitled
Sábado de Mierda
ES ES-OVNI CTX-S007-SS001-0016 · Item · 1985
Part of Non-Identified Video Observatory (OVNI)

Semidocumentary about the life of a group of punks in the Mexico City neighborhood of Ciudad Neza, during the 1980s. A surprising context in which to place the expressions, references and dreams of the punk movement. 6th Independent Vídeo & Interactive Phenomena Show

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