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Season #1
ES ES-OVNI CTX-S013-SS007-0102 · Item · 2007
Part of Non-Identified Video Observatory (OVNI)

A snarky look at the news, activism, political music, interviews and tips for surviving the coming Armageddon.

Untitled
ES ES-OVNI CTX-S014-SS007-0004 · Item · 2009
Part of Non-Identified Video Observatory (OVNI)

Nondualism is the philosophical, spiritual and scientific idea of non-separation and of intrinsic and basic unity. Science and Nonduality is a journey, an exploration of the nature of consciousness, the essence of life that everything flows from and into which everything eventually merges.

Untitled
SchoolScapes
ES ES-OVNI RSC-2493 · Item · 2007
Part of Non-Identified Video Observatory (OVNI)

Inspired by the cinema of Lumière and the ideas of the 20th century Indian thinker Krishnamurti, David MacDougall this time explores a famous progressive school in South India, the Rishi Valley School. This is a film dedicated to the simple act of looking, in which each scene is a single shot.

ES ES-OVNI CTX-S009-SS005-0032 · Item · 2002
Part of Non-Identified Video Observatory (OVNI)

Scenes From an Endless War, in an experimental documentary on militarism, globalization, and the ?war against terrorism?. Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and original footage and interviews to questions received wisdom and common sense assumptions about current American policies.

Scandinavian Soul
ES ES-OVNI RSC-2982 · Item · 1999
Part of Non-Identified Video Observatory (OVNI)

"Scandinavian Soul ®" leads us to a small device (memorize recording machine) in which there are stored memories of a hero seized by nostalgia. Memories that follow that fragile line between the lived and the imagined, between reality and fiction, even at times blurred. Everything under ambiguous tone that leaves nothing clear enough for us to hang on.

Saving face
ES ES-OVNI RSC-1349 · Item · 2003
Part of Non-Identified Video Observatory (OVNI)

Were all the candidatesmin faces posted on the walls of Lebanon during the parliamentary campaign of 2000 waiting for the results of the elections? No. As faces, they were waiting to be saved. Far better than any surgical face-lift or digital retouching, it was the physical removal of part of the poster of the face of one candidate so that the face of another candidate would partially appear under it; as well as the accretions of posters and photographs over each other that produced the most effective face-lift, and that proved a successful face-saver for all concerned. We have in these resultant recombinant posters one of the sites where Lebanese culture in specific, and Arabic culture in general, mired in an organic view of the body, in an organic body, exposes itself to inorganic bodies.