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The Terror is British colonialism and cold war imperialism The Time is 1953. This documentary treats colonialism and western cold war imperialism in the context of the British army invasion of Guyana in 1953. Focusing on the economic and cultural repression of the Guyanese people, the Victor Jara Collective captures the force of the historical events that clarifies the struggles of the working and peasant class. Centering around historical references, interviews and nine Poems of Resistance by Martin Carter, the film deals critically with the total impact of the period. It reveals the complex nature of colonialist domination in daily life presenting images which examine the psychological consequences of poverty and oppression. In examining the effective use of Carter's poetry, which was banned in Guyana, Eusi Kwayana, leading member of the working people's alliance, sees the collection as a cultural product to enrich the struggle with "ideological nourishment."

The Observatory Archives invites Hakim Bey to reflect on this subject as a contribution to OVNI dis_Reality. Hakim Bey is the pseudonym of Peter Lamborn Wilson (EE. UU. October 1945 - May 2022), an American writer, essay writer and poet who describes himself as an “ontological anarchist” and a Sufi. His 1990 work TAZ: The Temporary Autonomous Zone made him famous. As well as writing a series of essays on the traditions of Chinese secret societies (Tong), Bey introduced the concept of the Temporary Autonomous Zone based on his research into pirate utopias. Bey has also written about figures like Charles Fourier and Friedrich Nietzsche, and on the links between Sufism and ancient Celtic culture. Along with these authors and theories, Situationism has also been an important influence in Bey's texts, which could be considered as an updating of its ideas for the present.

Lewanne Jones is Autonomedia's main Film and Video specialist. She will present her research into media archaeology in the EE.UU. New York-based Autonomedia are one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. Their publications include: Temporary Autonomous Zones, by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism, by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.