Showing 4 results

Archival description
David Batlle
Print preview Hierarchy
Card view Table view
2 results with digital objects Show results with digital objects
Trobada Oberta. Acte 34. La Ciutat Altra: Reflexió i discussió oberta
ES ES-OVNI RSC-4187 · Item · 2016
Part of Non-Identified Video Observatory (OVNI)

Open conversation with Toni Serra *) abu ali (OVNI Archives) and the authors of the videos of ACTE 34: The Other City: Marc Almodóvar, David Batlle and Giovanni Cioni, who will reflect on their works in particular and open discussion on the evolution of cities in the conflicts of global capitalism. Suñol Foudation, 3rd October, 2016.
Som un barri digne: Taller postcolonialitat
Som un barri digne: Taller postcolonialitat
ES ES-OVNI CTX-S015-SS007-0026 · Item · 2011
Part of Non-Identified Video Observatory (OVNI)

The precarious housing and employment conditions of the immigrant population in Barcelona's El Raval neighbourhood are simply a reflection of the conditions that our Spanish parents and grandparents - also migrants - experienced during the post-war period.

 Untitled
Port Trade Portrait
ES ES-OVNI CTX-S018-SS003-0001 · Item · 2014
Part of Non-Identified Video Observatory (OVNI)

Port Trade Portrait is a portrait of the old Barcelona cargo port, which has been transformed into a tourist leisure area. Today, tourists step around Africans who are trying to make a living in the face of the constant threat of persecution and detention, right on the same docks from which the slave ships that enriched distinguished families set sail not so long ago.

 Untitled
Mapas Migrantes
Mapas Migrantes
ES ES-OVNI CTX-S014-SS001-0005 · Item · 2009
Part of Non-Identified Video Observatory (OVNI)

Mapas Migrantes looks at migration in Barcelona from the period following the Civil War up until the present, through the city's buildings, infrastructures and street furniture. It is a kind of atlas, a series of maps that take shape through the voices of migrants, whose tales of the past invite us to re-read the city. Charting the invisible, we enter a territory in which individual subjectivities erase the boundaries laid down by the dominant discourse.

 Untitled