1958 General De Gaulle pronunces -in a very convulse and tragic moment for an Argelia under rigorous represion and torture- its famous and demagogic “Je vous ai Compris” (I understand you). A reading on several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai Compris” now means and show us the real sense of the civilizational work of the western powers. Today so enthusiaticly renovated.
In global capitalism, the movement of bodies through borders takes the form of an asymmetrical dualism. One side of the border acts as a retaining wall, a knife that cuts territories, bodies, and genders. It is not driven to block access to the central zones of capital, but to bureaucratically manage the legality of the migratory flow, forking it into being and non-being. The other side of the border adopts a flexible interface, expanding endlessly in the space of the “other”, while preserving the impermeability of knowledge and identities. The border has ceased to be a peripheral space, it becomes centre. Its implosion is expressed in a whole range of institutions, security devices, and parallel agencies that inhabit our cities, forming an expanding inner border. The logic of the border is now spreading to all systems of political and cognitive power. In this sense, we can speak of borders as laboratories for a new totalitarian system. Proclamations that were once the domain of openly racist sectarian groups are now being absorbed into governmental and media discourse. Colonialism is also a state of the soul, based on alterity in constant opposition. Always an “other” to criticise, occupy, conquer... never loving contemplation or dialogue for the transformation of being... being without borders.
A French government report explaining the reasons why it was impossible to accept Algeria’s independence.
UntitledThe Job has been put together from over six hours of archival material shot in the offensive against the city of Fallujah, Iraq. The footage was originally recorded by a journalist embedded with American assault troops, who were the only ones authorised to record images or approach the area before, during and after the fighting. Years later, the journalist posted the unedited footage on a temporary web site, adding a classical music soundtrack, as an “Iraqi souvenir” for the marines who participated in the attack: “to all the marines of kilo 3/5. Nick and Geoff send their thanks for all your acts of kindness and generosity…” This footage was captured online by Jean Pierre Gambarotta and Perro Loco from Caracas Libertaria, and edited by Abu Ali.
UntitledAn Archives research and edit on several audiovisual documents from various sources dealing with the old Spanish colony of Equatorial Guinea, most of it created for information and educational purposes. Images that illustrate the colonial obsessions of the times: the idyllic image of Spain's civilizing task, nostalgia for imperial times, the sadistic element in the hunt for wild animals, the work of Christianisation, the militarization of a layer of the population in order to ensure the existence of “loyal natives”, the perpetuation of the African stereotype...