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              59 Archival description results for India

              59 results directly related Exclude narrower terms
              ES ES-OVNI RSC-3335 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              The video You Went Back Again and Again, 2009 addresses the space of mourning and does this by looking at the registers of memory. The camera traverses with me to spaces that repeatedly explode with images I want to erase. A video installation, the work is an assemblage of images, text, sounds. Set within the overall narrative of a car journey to my father's grave and back, the work seeks to document the two years after the event. Believing strongly in a certain image of grieving this work sets out for me and the viewer an alternative. Conversations traverse from the incredulous to deep feelings of guilt, images from journeys explore the space of being nowhere and the self writes itself in words that cannot be strung together. Bodies don't exist in these spaces whole, neither of those who have passed nor of those who live to tell, to mourn. It testifies to what is left, the images, the knowing, the ifs and the buts.

              Yindabad
              ES ES-OVNI RSC-2971 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Brief Sinopsys Sardar Sarovar, an impressive cement wall of 121 meters heigth, stops river Narmada´s flow. It is part of the faraonic “Narmada Valley Development Project”, that plans the construction of more than 3000 dams, some of them of huge dimensions. Over two millions and a half people are afected, most of them adivasis (indigenous) who are losing their houses and ways of life. For twenty years they have been struggling against the interests of the government and the big corporations. Women have gained conciousness of the dimensions of the problem and have become the main role in this unequal fight. Is this the single way of development? The situation in the Narmada Valley is an example of the 21th century´s biggest war: water control, natural resources control.

              Video Game
              ES ES-OVNI RSC-2128 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              A complex video journey on a MOTORCAR, the quintessential cultural interchange of modern times, where a picture of the ROAD emerges.

              Unseen Beauty Unhidden Truth
              ES ES-OVNI RSC-3349 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Manas in Western Assam of India is a veritable haven of lush green forests, It was down graded to the status of world Heritage site in danger because of the result of political and social up heavel that took place in the Bodo-dominated areas surrounding Manas which presented a new danger to an already fragile ecosystem. Now in maintaining the Manas National Park many N.G.Os took active steps in various fields. One such N.G.O. named Mousi Gandri Eco Tourism society conserved and preserved a hatching Burmese rock python with 100's of eggs. The hatched young ones are released in batches in different zones of National Park with the hope that balance in the eco system would be maintained. A hundred percent successful hatching of python under human protection in nature is a rare phenomenon.

              The PPR* Experience
              ES ES-OVNI RSC-3307 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              In our PPR, the passenger propelled rickshaw, the hierarchy of passenger/puller is transformed into a temporary collaborative unit where physical power and logistical knowledge are shared to bring things forward. In the different neighborhoods of New Delhi we engage the passers-by in a breathtaking ride to fuel the dream of a post-oil society.

              The Poojari's Daughter
              ES ES-OVNI CTX-S014-SS001-0108 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              The PoojariŽs Daughter opens with flashbacks to South Indian priestess Rajathiammal “cutting the goat” and having her head ritually shorn. The year is 2001, the place, Madurai, Tamilnadu. These two moments fulfil the two most profound wishes of the priestess: to be filmed while performing the annual goat sacrifice to the Saivite god Paandi that was once carried out by her father, and to renounce family life altogether. Using experimental film techniques that recall the work of Trinh Minh Ha, The Poojari's Daughter weaves dramatic footage of these rituals and of temple life at Paandi Kooyil with Rajathiammal's moving account of her process, interviews with close relatives, and brief voiceovers by the filmmaker. Together, these create a vivid and unforgettably intimate portrait of the devotional worlds of this remarkable woman and of South Indian Hinduism.

              Untitled
              ES ES-OVNI CTX-S014-SS001-0106 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The Last Rites of the Honourable Mr. Rai is a film about the cremation of a longtime resident of the holy city of Varanasi. This film, made at the request of the Rai family, is possibly the most detailed and respectful study of the Hindu rites of cremation on the sacred banks of the river Ganga.

              Untitled