Varanasi, India, 6am. 2nd week of the shoot. The heat is already unbearable. Among the alleyways of this sacred city, someone invites me to carry out an interview. I don't understand what he is saying, but I follow him.

Serpent Mother is about devotion to the Goddess of Snakes and the importance of divine female power in West Bengal Indian life. The film's focus is the Jhapan Festival, the great celebration of snakes. It shows the festival preparations, the role of traditional arts and crafts in the worship of the Goddess, devotional singing, and a demonstration of ritual action.

Varanasi, the city of Shiva, is also a city of death, known for its devotion and for its crematoria, which is where the Aghori Sadhus live. They cover their bodies with the ashes of the dead and ask for food using a human skull as a vessel.

Short Cut to Nirvana is a film about the Kumbh Mela, the biggest gathering of people in the history of humanity – although few in the West have ever heard of it. More than 70 million pilgrims attend this spiritual festival which has been held every twelve years near Allahabad, India, for over two millennia.

A sustained attempt to film a four-day ceremony concerned with the worship of Shiva. We are shown devotees of the God Shiva from the initial taking of the Sacred Thread through gradually intensifying action to the culmination in a variety of ascetic and self-denying practices. Devotees are also shown engaging in informal activities such as preparing food and listening to recitals of devotional songs by the famous mendicant Bauls of Bengal.

Since I Am That was released in 1973, Sri Nisargadatta Maharaj, along with Sri Ramana Maharshi, has been recognized as one of the 20th Century's most profound voices of Advaita Vedanta. The Lost Satsang depicts Maharaj in the most authetic way and directly transmits the overwhelming power of this remarkable sage.

Thank god for India is a documentary that deals with the generation gap between young Israeli travelers in India and the conformities of society in Israel today . The film also takes a look at the new Israeli subculture that has developed in India as a result of this gap. The film follows 72 year old Amos Mosenzon , who decides to venture to the country he's always dreamed about - India . He asks permission from his 95 year - old mother , who doesn't understand why he has to go to India , of all places , instead of "civilized"countries , like France or Japan . Amos says farewell to his wife and takes off for a journey into the unknown .

A former engineer who becomes an Aghori.