Going in depth into her father’s photo archive and diaries about his experience during the military service at the Sahara spanish colony in 1964, Pilar spots the lost paradise where he always would try to come back. In the eighties and nineties, after the failure of his family project, Manuel Monsell will start to traveling to the Maghreb. Again with his photo camera, he will run after the beauty of some portraits which could move him to the place of his dreams. But all these trips reveal much more about the place of departure than about the place of destination. Romantic love, independence and family compose a stage of a refuge that getting itself broken, it commit ourselves to ask not only about our more sincere desires but also about the need of rethinking the sense of these old words.
UntitledIdentidad
13 Archival description results for Identidad
13 results directly related
Exclude narrower terms
ES ES-OVNI RSC-4146
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2014
Part of Non-Identified Video Observatory (OVNI)
ES ES-OVNI CTX-S005-SS005-0007
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1996
Part of Non-Identified Video Observatory (OVNI)
Portrait of a character who drifts aimlessly through a rambling memory.
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ES ES-OVNI CTX-S006-SS005-0004
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1997
Part of Non-Identified Video Observatory (OVNI)
Tender family nightmares, solitude and aimless drifting.
ES ES-OVNI RSC-4316
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2017
Part of Non-Identified Video Observatory (OVNI)
Memory of the Land, is a reflection of the human condition under the yoke of different forms of violence, collective memory and identity as forms of resilience. Palestine. A body is trapped at a checkpoint; an essential mechanism of the Israeli occupation. The body is pierced by structural and physical violence, which is aggressive and arbitrary and prevents and attacks its free movement and existence.
ES ES-OVNI CTX-S020-SS001-0004
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1992
Part of Non-Identified Video Observatory (OVNI)
INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
Untitled
ES ES-OVNI CTX-S008-SS003-0010
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2001
Part of Non-Identified Video Observatory (OVNI)
"Paralysis - on the state of terror" is a documentary about our archival and records systems, and the role of images in constructing our past. The mental images of individual memory, the personal and subjective filing system of unique historical experiences that, when told, become eye-witness accounts, and archival material as a device/interface that configures an objective past, biding its time in image libraries all over the planet. A journey through subjective and objective history, guided by four characters: The Witness, a survivor of a nazi concentration camp; The Researcher, tracking and analyzing traces of the past; The Archival Material, source and extension of historical memory; and The Narrator, creating and directing a discourse where history impregnates the present and is revised.
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ES ES-OVNI CTX-S020-SS001-0002
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Item
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1992
Part of Non-Identified Video Observatory (OVNI)
INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
Untitled
ES ES-OVNI CTX-S013-SS007-0087
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2008
Part of Non-Identified Video Observatory (OVNI)
Plan Rosebud 1 is focused on the recent social debate around the so-called Historic Memory Act in Spain, and the current relation between the sites of memory and the politics of memory, and the cultural industries, studied in detail, in our case, trough the war tourism and commemorative tourism (that forms the main part of the four scenarios that this first film contains).
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ES ES-OVNI CTX-S020-SS001-0003
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Item
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1992
Part of Non-Identified Video Observatory (OVNI)
INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
Untitled
ES ES-OVNI CTX-S020-SS001-0001
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Item
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1992
Part of Non-Identified Video Observatory (OVNI)
INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
Untitled