Reflections on male identity.

"Is an homage to and commentary on the female action adventure game Tomb Raider and it's busty virtual superstar Lara Croft. I make Lara explore the game environment at the edges of the programming world created for her. The limited inventory of Lara's gestures and the militaristic scenarios of the game are considered from a feminist perspective in analysing the symbolic feminine and the popular culture that has sprung up around Lara Croft". Quotations are from three authors . Fernando Pessoa, Joanna Russ, Sun Ra.

Thank god for India is a documentary that deals with the generation gap between young Israeli travelers in India and the conformities of society in Israel today . The film also takes a look at the new Israeli subculture that has developed in India as a result of this gap. The film follows 72 year old Amos Mosenzon , who decides to venture to the country he's always dreamed about - India . He asks permission from his 95 year - old mother , who doesn't understand why he has to go to India , of all places , instead of "civilized"countries , like France or Japan . Amos says farewell to his wife and takes off for a journey into the unknown .

Portraits and karaoke, a serial project. Maura Jasper invites friends and strangers to perform a karaoke song. The Karaoke project lasted three years and consists of hundreds of portraits. 4 Muestra de Vídeo Independiente & Fenómenos Interactivos 1997

A personal digression on telephone books, in which the author reflects, among others things on how women lose their surnames in many countries in the world, through descent and marriage, asking what becomes of these names. 6th Independent Vídeo & Interactive Phenomena Show

It is an erotic response on the Helms Law, the American government's refusal to subsidize the prevention and awareness on AIDS. Kalin writes: "They are lost to vision altogether acts as erotic retaliation on legislation such as the Supreme Court sodomy ruling — declaring the private bedroom as open target for the State — or the Helms Amendment — the U.S government's refusal to fund explicit AIDS prevention information for gay men, lesbians and IV drug users. An attempt to reclaim eroticism and to address the contradictions of sexuality and romance in the face of a monolithic and culturally compulsory heterosexuality, They are lost to vision altogether finds queer history where it can and invents the rest." 2 Mostra de Vídeo Independent de Barcelona 1994.

Third Known Nest brings together Kalin's witty and poignant "video diary" pieces with new interstitial material that thematically links the works with cogent literary quotes. Merging elements of music video, text, and intimate Super 8 "home movies," Kalin has created a personal and cultural chronicle of the 1990s. Tracing a trajectory that moves from stylized AIDS activist spots to alternative music videos and poems of love and loss, Kalin' video journal culminates in a performative self-portrait.