September 11, 2001 ushered in a new world order that extended to the age-old practice of torture. In this new paradigm, torture is seen as necessary – and therefore justifiable – in the war against terrorism. Furthermore, victims have no rights, they do not exist for legal purposes and can simply disappear in long secret flights to unknown destinations. This documentary traces the story of some survivors of this globalised torture who spent time in places like Abu Ghraib, Bagram, and Guantanamo. And for those who still think that the Abu Ghraib photos were a one-off situation, an isolated case, it takes us on a journey back in time, to Argentina and Guatemala, and even to the Middle Ages and the Holy Inquisition.
UntitledGuerra
116 Archival description results for Guerra
A video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and Sufis sing as they await the coming of another war. Notes, gifts, promises, paintings, trash, and other ephemera from the city which is now hardly a city.
UntitledICT, Loockhed Martin, Future Combat Systems, Full Spectrum Warrior, Kuma War. A devastating wave of terrorist attacks spreads across America, Europe and Southeast Asia, targeting specifically U.S. and U.K. interests, including embassies, regional corporate headquarters, and even western retail and restaurant chains. After months of intense hunting, U.S. intelligence tracks the source of the attacks to the tiny eastern nation of Zekistan. Zekistan was born seemingly overnight with the fall of the Soviet Union, resulting in a struggling third-world nation, torn by ethnic and sectarian strife, armed with a large surplus of Soviet-era military hardware and a critically weak government. Barely a year after its independence, the nation fell into brutal civil war between ethnic Zekis and settlers from surrounding nations. The Zekis were defeated by fundamentalist dictator Mohammad Jabbour Al Afad, who wasted no time in ordering the ethnic cleansing of the native Zekis. After the U.S-led operations in Afghanistan and Iraq, thousands of ex-Taliban and Iraqi loyalists crossed the borders of Zekistan seeking asylum by invitation of the nation’s dictator, Al Afad. It wasn’t long before the same terrorist training facilities and death-camps that the U.S. fought to remove in Afghanistan were operating again under full sponsorship by Al Afad’s government. After repeated warnings and failed diplomatic resolutions in the UN, NATO votes to invade Zekistan to depose Al Afad, eliminate the terrorist element, and stop the ethnic cleansing of the Zeki people. Pakistan grants the U.S. fly-through access to their airspace, and the operation begins. For several consecutive nights, carrier groups USS Carl Vinson and USS Ronald Reagan in the Arabian Sea launch thousands of sorties to take out air defense, armor, and enemy bases. With the dust barely settled, Infantry and Armor from seven NATO nations begin to land at captured air bases in southern Zekistan. The land invasion is underway… ...a media archaeology project by OVNI ARCHIVES: reading agents abu-ali & retroyou. 1999-2004.
Five Palestinian, Israeli and international activists paint themselves blue and don pointy ears and tails that make them look like the characters in the film Avatar. Although their colonisers are from different origins, the Avatars, like the Palestinians, fight imperialism. 'The Avatars' presence in Bil'in today symbolizes united resistance to imperialism of all kinds.
UntitledKuma War is more than just a game, it is an interactive chronicle of the war on terror with real news coverage and an original video news show for each mission. Kuma tells the stories of soldiers on the ground by putting players in their boots. Stop watching the news and get in the game! “This is not like playing Unreal, this is the re-creation of a scenario that soldiers overseas have and are experiencing. That's a big difference” - Hollywood Reporter.
Non-Identified Video Observatory (OVNI)During the third Rif war, from 1923 and 1927, the Spanish army used massive quantities of mustard gas against civilians, thus making Spain one of the first world nations to use chemical weapons on a civilian population. Eighty years later, a young man from the Rif living in Madrid embarks on a race against the clock to safeguard the memories of the last remaining witnesses of that war. The Spanish government has never acknowledged its crimes. And the victims, now elderly, threaten to die without ever having spoken out about those years of suffocation and death.
UntitledAnitia is the hero/heroine of this video. Constructed from old damaged film fragments, combats fighter bomber attacks in Bombay mixing latencies and sounds of celluloid with subliminal images of safety and death.
Civilian casualties continue to mount long after wars “officially” end. I shot these video images of preserved fetuses and living children in a Vietnamese hospital in 1991. Medical professionals believe that the continuing high percentage of birth defects in Vietnam is a direct consequence of the US use of Agent Orange from 1961 to 1971. Depleted uranium weapons used in Iraq in 1991 are now linked to similar birth defects, both in Iraqi children as well as in babies born to soldiers serving in the Gulf War.
UntitledThe testimonies of Arab infiltrators in Israel.
UntitledAt the dawn of the Algerian independence struggle, René Vautier produced a film about the French conquest of Algeria in 1830. It was severely criticized by the French Ministry of Foreign Affairs, which regarded this prediction of an Algerian rebellion against the foreign oppressor as a danger to national security. In reaction to this accusation, in 1957 René Vautier went over to the "other side" and shot, camera in hand, a film about and with the Algerian resistance movement. René Vautier wanted to show what he saw and counter the French colonial propaganda version. Naturally, the French side sought him out for what they considered to be treason. Nevertheless, 800 copies of the film were printed from East Germany, in 17 languages, and distributed worldwide (except in France, where it had to wait for a screening at the occupied Sorbonne in May 68). But not all Algerian independence fighters agreed that their revolution should be filmed by a Frenchman, especially as René Vautier's contact had been liquidated. Caught up in the meanders of revolutionary power struggles, and without being told why, the filmmaker is detained in a prison by decision of the Provisional Government of the Algerian Republic (GPRA) along with other Algerians, while the film is broadcast by the FLN... Twenty-five months in a prison in Denden, west of Tunis. After the declaration of independence, René Vautier founded the first Algerian Audiovisual Center and directed the first film in independent Algeria: Le peuple en marche. During this shoot, René Vautier was wounded three times. He came under direct fire from the French army, deliberately aimed at his camera. A piece of shrapnel lodged in the Breton filmmaker's (hard) head. He would carry this memory with him all his life, making him probably the only filmmaker with a piece of camera in his head.