Guerra

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            Guerra

              116 Archival description results for Guerra

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              ES ES-OVNI CTX-S015-SS004-0001 · Item · 1989
              Part of Non-Identified Video Observatory (OVNI)

              After the reflections from the Bhagavad Gita, the war begins: a tragedy that pits brother against brother and sucks up whole families, people of great courage. It is a war of devastating consequences, which does not just threaten the survival of one of the two sides, but the continuity of life on earth. “Even the blades of grass tremble in fear.” A battle in which the clashing sides do not hesitate to use the ultimate weapons. Vishnu himself exclaims: “Now I am become Death, the destroyer of worlds.” This is a war that is also played out inside every human being.

              Untitled
              ES ES-OVNI CTX-S015-SS003-0003 · Item · 1989
              Part of Non-Identified Video Observatory (OVNI)

              Having been tricked by Power and humiliated by the arrogance of those who now wield it, the Pandavas are forced into exile even though they still harbor a desire for justice. They face twelve years of banishment in the wilderness, and a further year during which they must live in disguise and avoid being discovered. The Mahabharata, portrays this exile as a period of extreme hardship in which death is always present – but so is the growing awareness of its opposite. To abandon the palace and swap the city for nature also leads them to renew direct contact with life, embark on a search for knowledge, start a process of cleansing and strengthen the bond of brotherhood. Nevertheless, this strengthening seems to lead back towards war. Part two ends with the famous reflections of the Baghavad Gita in which Krishna responds to the doubts of Arjuna.

              Untitled
              The Pentagon TV Commercials
              ES ES-OVNI CTX-S010-SS007-0061 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              The post-war period and the New World Order told through documentaries, war films, propaganda and photographs. Waco, Oklahoma City, September 11, the war on terrorism and Special Laws, the "Other America" and the destruction of the 10 amendments. The Pentagon is born from the need to bring together counter-information and journalistic rigor, continuing the operation that began with the radio spots "Iraq 2 Special Edition", "death for sale" and "The Black Mirror of Democracy".

              Untitled
              ES ES-OVNI CTX-S015-SS007-0006 · Item · 1965
              Part of Non-Identified Video Observatory (OVNI)

              “By late 1964 Harold Wilson’s newly elected Labour Government had already broken its election manifesto to unilaterally disarm Britain, and was in fact developing a full-scale nuclear weapons programme, in spite of wide-spread public protest. There was a marked reluctance by British TV at the time to discuss the arms race, and there was especially silence on the effects of nuclear weapons - about which the large majority of the public had absolutely no information. I therefore proposed to the BBC that - using one small corner of Kent in southeastern England to represent a microcosm - I make a film showing the possible effects, during an outbreak of war between NATO and the USSR, of a nuclear strike on Britain.” The BBC panicked when they first saw the film, and sought government consultation re showing it. They subsequently denied this, but the sad fact remains that the BBC violated their own Charter of Independence, and on September 24, 1965, secretly showed The War Game to senior members of the Home Office, the Ministry of Defence, the Post Office (in charge of telecommunications), a representative of the Military Chiefs of Staff, and Sir Burke Trend, Secretary to Harold Wilson’s Cabinet. Approximately six weeks later, the BBC announced that they were not going to broadcast the film on TV - and denied that their decision had anything to do with the secret screening to the government". Peter Watkins

              Untitled
              ES ES-OVNI RSC-1350 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              An intimate dialogue with Soha Bechara, ex-Lebanese National Resistance fighter, in her Paris dorm room. The interview was taped during the last year of the Israeli occupation, one year after her release from captivity in El-Khiam torture and interrogation center (South Lebanon) where she had been detained for 10 years—six in isolation. Revising notions of resistance, survival, and will, the overexposed image of the survivor speaks quietly and directly to the camera—not speaking of the torture, but of separation amd loss; of what is left behind and what remains.

              Untitled
              War and peace trilogy
              ES ES-OVNI CTX-S010-SS007-0004 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              In 2003 the reality of war set in, amd the roar of the mainstream media seemed to deafen ours ears and stifle our voices. Hudson Mohawk Independent Media center respond by coming together to make these three documentaries. Independent Media in a time of war, Voices Against War, Women's fast for peace.

              Untitled
              War made Easy
              ES ES-OVNI CTX-S013-SS007-0088 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another. The film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations.

              Untitled