Interactive work on CD-ROM artintact 1 [1994] ZKM (...) "Manuscript" the work Eric Lanz has produced for the first CD-ROM issue of Artintact. We zoom in into a block of unidentifiable graphic elements. Then we decipher lines, then signs that compose them and finally these signs turn out to be the images of tools. Placed against a white background, meticulously lined up and grouped together, like so many letters making so many words, they seem to simulate the hieroglyphs of some strange script. It is possible to run along a line to choose a particular tool, a bit like a finger running over a page. A tool is selected by clicking on it, and we can see the use of the tool in a window. It’s the confrontation between the sign and the object, between the eye, which interprets and the hand, which executes. - Anne-Marie Duguet -
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128 Archival description results for Germany
... 3 Mostra de Vídeo Independent de Barcelona 1996.
Above all, Mast Qalandar (Ecstasy) is a look at heterodoxy and a celebration of its existence. Qalandars are a Sufi brotherhood of roaming dervishes who once ranged through an arch that crossed Asia, from Turkey to Pakistan and India. They are characterized by extreme mystical devotion and their revolutionary and anti-dogmatic attitudes within Islam, such as use of hachis and the rejection of alcohol and free submission to Haqq, the truth, which they see as the absence of limits rather than something which narrows and defines horizons. “Mast Qalandar” immerses us in the ritual encounter of these dervishes around the grave of the brotherhood's founder in Pakistan. A vision of heir devotion to “the beloved” that leads them into trance and ecstasy, where death means simply to “draw aside a veil”. Available online until December 27th 2020.
UntitledGoogle is the most powerful search engine on the Net. From the beginning, money was not important to the founders of Google “they wanted to make the world a better place.”
UntitledMe, Myself and I in the Age of Download is an entertaining exercise researching on the phenomena of digital copying and downloads from the internet. It is a scientific-like experiment, a poetical observation of (post-) modern times.
Me, Myself and I in the Age of Download is an entertaining exercise researching on the phenomena of digital copying and downloads from the internet. It is a scientific-like experiment, a poetical observation of (post-) modern times.
A thundering diatribe against the abuses of capital and the language, the presence of the body-thing.
4 Mostra de Vídeo Independent de Barcelona 1997 & Fenòmens interactius
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