The idea for this short / interview arises from research work on youth and migration. From this interview, we want to focus on migration as a global and timeless phenomenon. Our intention is for the viewer to understand that young people share similar interests, expectations and objectives like access to studies, a job, a stable and safe home ... Even though the phenomenon of migration is complex and we must take many factors into account, with this video we want to continue eliminating prejudices and rejection of migrants from all over the world, understanding that their objectives are not different from those of ours, but that many times in their countries of origin their integrity is compromised and violated and their opportunities to access a better life are limited, and therefore it is necessary to undertake a trip. In this interview, Juliana tells us what prompted her migratory path, the unstable situation in which she lived, the opportunities she has had and her goals: to find a job, continue her studies, take care of her family ..., while she tells us how his grandfather was also a young migrant during World War II, in search of a better future. Showing us how cycles repeat themselves and that it is necessary to create mechanisms and networks so that young people can emigrate in dignified and safe conditions. This video is part of the Educational Agreement of collaboration between theOVNI Archives and the Department of Anthropology of the University of Barcelona - UAB , for the curricular external practices of the students, of the academic year 2020-2021. work pdf
Fronteras
56 Archival description results for Fronteras
Europlex tracks distinct cross-border activities through the Spanish-Moroccan borderland and seeks to make these obscure paths visible. On their repetitive circuit around the check-point to the Spanish enclave Ceuta, the video follows in three borderlogs the smuggling women who strap multiple layers of clothes to their bodies; the daily commute of "domesticas" who turn into time travellers as they move back and forth between the Moroccan and European time zones; and the Moroccan women working in the transnational zones in Northafrica for the European market. All these trajectories move around and in between the imperative of the territorial borders. They form, however, a vital layer of the cultural and economic space between Europe and Africa.
Something happened on the Spanish-Moroccan border in Autumn 2005. A thing that is still happening today in other places and in other ways. Hundreds of sub-Saharans used ladders to cross a European border. Weapons, rubber bullets, death. Thousands were deported to the Sahara desert. Death. Spanish television broadcast images of an accelerated war. Just bodies, not individuals. Something we watched. Returning to the place where it all happened we find nothing but empty space. A landscapes without traces. What remains, that fence. How is it possible to create new representations that don't get lost in the oversaturation of images that present migrants as victims? Others had already asked themselves the same question. A group of Congolese refugees is stuck in Morocco waiting to reach Europe. They have created a theatre piece based on their experiences of migration. In the room where they live each day, it takes shape as a self-representation of each step along the path. But it is not a finished work. There is no audience and no stage, just a work waiting for its ending.
On December 26, 2003, the Israeli Defense Force (IDF) deliberately shot at Gil Namati, a 21 year old Israeli protestor that demonstrated against the separation fence/wall. Gil was shot in both legs by two live bullets. The incident created a media storm and raised many question . What would have happened if the IDF didn't lie about the shooting of Gil Namati/ Would it have justified the actions taken by the security forces? Is there a difference between shooting a Jew and a non-Jew? This film is divided into three parts, the first part presents the investigation which was shown at the press conference and proved the IDF was lying about the reasons for the shooting, the second part criticizes the investigation itself and how the media reacted and portrayed the incident and the separation barrier, and the third part is a propaganda piece about the "danger" anarchism poses in Israel.
Untitled"Stranger is the one that is always asked: ”Where are you from, brother?” or is asked ”Is it hot in your country?” He doesn't care about details concerning the people in the country he is or about their domestic politics'. But he's the first one to suffer its consequences. He may not be happy when they are happy but he's always afraid when they are afraid". Mourid Barghouti
UntitledA video journal reflecting the life of a Palestinian family and a Palestinian town during one year of the intifada. Kalandia is the name of a refugee camp between Ramallah and Jerusalem, but more recently it has become the location of one of the most heavily-traveled Israeli checkpoints in the Palestinian territories. Shot between May 2001 and August 2002, Crossing Kalandia offers a unique perspective on recent events in Palestine.
UntitledBorder Crossings touches on crucial issues that surround the increased militarization of the U.S. / Mexico border. The United States Border Patrol, now part of the new formed Department of Homeland Security, has a history of abusing its power. Examples of this abuse range from sexual assault to unnecessary use of deadly force.
Footage of the sea and audio recordings of a conversation in which a sinking refugee ship urgently asks for help from the coast guard, and is met by bureaucratic red tape in response .... until the final silence.
UntitledProdein, a Melilla-based children's rights association, documents the difficult situation of sub Saharans who try to cross the border between Africa and Europe in search of a better life. “Murder” is the best way to describe the deaths that took place - and continue to take place - on the border at Melilla and Ceuta. The summary shooting of all migrants who attempt to climb the fence... “with their backs turned and defenceless, without previous arrest, without administrative or legal proceedings” can only be called “murder”.
Ceuta, which has always been governed by the right, is the door to Europe for thousands of sub-Saharan migrants. This was the first demonstration supporting migrants in Ceuta, one of the North African enclaves in Spain, organized by many different European organizations and individuals after the murder by shooting of more than 14 black Africans as they tried to cross the border fence.