Fronteras

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            Fronteras

              56 Archival description results for Fronteras

              56 results directly related Exclude narrower terms
              Solo Valiente
              ES ES-OVNI CTX-S012-SS005-0009 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The port of Tangiers is a transit zone, and many travelers and goods pass through each day in huge trucks bound for destinations all over Europe. This is why large numbers of children and adults live in the port, waiting for an opportunity to hide under one of the trucks and cross the border into the Schengen zone. Almost all of them have a home and a family. Locals spend some time there and then return to their homes to build up strength for the next attempt. Those whose homes are far away settle among the containers or find a more or less inconspicuous hideaway in the port. Abdelghani is one of the minors who has decided to leave his family in southern Morocco to try and cross over to Spain.

              ES ES-OVNI CTX-S018-SS002-0001 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Tarajal: Dismantling Impunity on the Southern Border is a documentary research project by the production company Metromuster, which previously produced the influential activist documentary Ciutat Morta. It has been commissioned by Observatori DESC, which is collaborating in the research process. Tarajal is based on statements from migration experts, journalists, lawyers, police spokespersons, and activists, as well as official declarations from the Interior Ministry, edited together to reveal the many contradictions in the accounts of the events leading to the death of 15 migrants at Tarajal. Above all, it suggests that the events may not have simply been a matter of police negligence, but part of a strategy designed for the application of migration control policies.

              Territoire Perdu
              ES ES-OVNI DIF-S010-SS002-0001 · Item · 2011
              Part of Non-Identified Video Observatory (OVNI)

              Drawing from stories of flight, exile, interminable waiting and arrest, and persecuted lives on both sides of the wall that divides the Western Sahara, Territoire perdu bears witness to the Sahrawi people, their land and their entrapment in other people’s dreams.  The film juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.   

              Untitled
              ES ES-OVNI CTX-S013-SS002-0013 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              In 1963, shortly after the independence of Mali, the Tuareg population rose against the new government. Bloodily put down and followed by terrible droughts, this uprising led thousands of Tuareg from Mali and Niger to take refuge in Algeria and Libya. Teshumara, born out of the pain of exile, is a movement affirming Tuareg existence and the need for change. This is when the Tinariwen guitars started to resonate... This film is dedicated to my friend Amadou Aghali.

              Untitled
              ES ES-OVNI CTX-S018 · Series · 2016
              Part of Non-Identified Video Observatory (OVNI)

              [ migra and coloniality ] / OVNI 2016

              The Center as the Border. Zones of Being and not Being

              / CONTEXT 1994 - 2020

              [ migra and coloniality ] / OVNI 2016

              PROGRAMA CASTELLANO PDF

              Videos Talks Debates.

              The border has a tendency to spread: it explodes into outsourcing to third countries, and implodes as domestic borders, control devices, detentions and disappearances...; in other words, it tends to occupy the entire system, becoming centre. In the shadows of the border-as-system, where control is out of control, the prototype of a totalitarian society is assembled.

              Around the subject of migration there are a series of crucial lapses or ‘forgettings’, which not only hinder in-depth reflection but also fuel exclusionary visions There first of these is the colonial lapse – we have forgotten the close ties between migration and coloniality, and its global mutation. The second lapse springs from limiting our reflections on migration to the spheres of politics, policing, economics, demographics and humanitarian action... but rarely considering it in terms of knowledge and wisdom, of which we are truly in need. A third lapse consists of labelling people “immigrants”, creating the corresponding imaginary and confining them within it... failing to remember that all of us in fact migrate between different territories, spaces, times, and forms of knowledge.

              Centre de Cultura Contemporània de Barcelona

              Montalegre 5. 08001 Barcelona

              ES ES-OVNI CTX-S007-SS001-0003 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              The meta-fiction is as follows: in a second Mexican/American war, Mexico wins. The USA collapses and the former states fragment into a myriad of micro-republics controlled by a multiracial junta led by the Prime Minister Gran Vato. Spanglish is the official language. The anglo militias desperately attempt to re-establish the old order. 6th Independent Vídeo & Interactive Phenomena Show

              Untitled
              The Purple Meridians III
              ES ES-OVNI EXP-S009 · Series · 2023
              Part of Non-Identified Video Observatory (OVNI)

              The Purple Meridians III

              The Purple Meridians III

              Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

              Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

              This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

              The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

              Two main themes would be the focus of this third event:

              the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

              These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

              Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

              The speakers will be:

              Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

              The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

              At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

              The press conference will feature also an intervention by a Palestinian filmmaker.

              Todos estamos en peligro (*)
              ES ES-OVNI CTX-S018-SS004-0003 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)
              • “It’s hard to come to terms with the fact that the supposedly civilised society that you fled to, seeking refuge, is so brutal.” -“People say: “get civilised”. But when you get civilised you realise that it’s the worst thing they could have taught you. Do you know what they mean by “getting civilised”? Have money, go shopping, spend money, and always keep in your head: I want more, more, more... Consume.” - the persistence of Eurocentrism in European dissidence. (*) Title of Pier Paolo Pasolini’s last interview.
              Toni Serra *) Abu Ali
              ES ES-OVNI TS · Subfonds
              Part of Non-Identified Video Observatory (OVNI)

              Archivo de Proyectos 1994-2026

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              SOBRE PAJAROS Y VISIONES

               

              Imagenes Previstas

              Abrir la visión

              No solo un cambio.

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              Toni Serra *) Abu Ali
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