City planners decide to pull down parts of Shanghai's old town in order to regenerate the city. Every year more than one hundred thousand families are forced to leave their homes and move into buildings on the edge of city. Under construction is a two- and three- dimentional flight across the now destroyed living areas of Shanghai which shows how random and brutal decisions can affect peoples's lives.
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10 Archival description results for France
In 1963, shortly after the independence of Mali, the Tuareg population rose against the new government. Bloodily put down and followed by terrible droughts, this uprising led thousands of Tuareg from Mali and Niger to take refuge in Algeria and Libya. Teshumara, born out of the pain of exile, is a movement affirming Tuareg existence and the need for change. This is when the Tinariwen guitars started to resonate... This film is dedicated to my friend Amadou Aghali.
UntitledHiroshima 1914-2006
Untitled“Le cercle des noyés” (The circle of the drowned men) is the name given to a group of black political prisoners in Mauritania who were arrested in 1986 and incarcerated in the city of Oulata's former Colonial Fort. The documentary follows the subtle mental process of one of the ex-prisoners as he remembers his own story and that of his fellow prisoners. Like an echo, we see a series of images of the sites of their confinement – bare, stripped of all traces of this past.
Fair trading is very much in fashion today. The idea is to help the most underprivileged populations on our planet to emerge from this state thanks to a fairer distribution of revenue. Shea butter is increasingly appreciated in Europe, where it is used in the cosmetic industry and as a cocoa substitute. In sharing the lives of Shea butter producers in Burkina Faso, the film carries us to the heart of the problems of survival in Africa.
UntitledParallel testimonies of Youssoupha, a rap artist and Thomas. Evocation of rap as an object of censorship, often criminalised by successive governments, and as a weapon of political struggle, far removed from the clichés of commercial rap.
UntitledThe life story of an elderly Mauritanian woman, Aïcha Messaoud, who spent her whole life as part of Sheik Ma-el-Aïnïne's distinguished family of nomads and now lives in the small Moroccan village of Tata, in the northern part of Western Sahara. The filmmaker sets out to trace the memories of her heroine. Stage after stage, she travels through thousands of kilometres across the desert, encountering the descendants of the Sheik.
UntitledFrance, the summer of 1944. The public punishment of women accused of having affairs with Germans during the war.
UntitledA military helicopter circles in the sky like an evil wasp. Chaos on the ground after the attack. A fast-paced sequence - bleeding people, burning cars and confused soldiers. Subheading: From Beirut - with Love. A cinematic postcard-greeting, so bitter and cynical, it can only come from a city at war with itself. The only dialogue in the film reveals a surprising connotation: Beirut is Paris, or Madrid, or any other metropolis. The scene is set: youth without a future, bomb attacks, drugs, arms, soldiers. The postcard has arrived.
UntitledTen unemployed men and women talk about why and how they've decided to stop working. After a period of familiarity with the labour market, these men and women have turned away from factories, warehouses and offices, determined to reject the rules of the existing economic war. Far from the usual worried or depressed image of the unemployed these “unemployed people who don't ask for work” openly talk about their reasons for seeking fulfilment outside of the workplace, with little financial resources but plenty of time to spend on themselves
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