The bald man knows that he is in the image, its skull is a century.

The proposal made to the visitor is to associate to a real book another one, which is virtual, to be flipped through on the screen. The virtual book opens interactive sequences of images and sounds with variable rhythm animations. For each quotation, there is a video illustration, as an engraving, focused on a character from the short love scenes, in the very moments of outburst, selected from »The Confessions« by Jean-Jacques Rousseau. ZKM artintact 1 [1994] CD-ROM

A documentary that explores Foucault's philosophy through his words and texts, following the thentral themes of some of his works. The film takes Foucault's voice from some of the recordings made of his College de France courses and interspereses it with phtotographes and images, lithographs and paintings, as well as real settings relating to universities, psychiatric hospitals, jails and the natural history museum in France, to show Foucault's philosophy as open to the study of heterotopias and the other spaces that cross each other in modern institutions.

Frontline is a documentary by René Vautier about apartheid in South Africa, made at a time when almost no films addressed the subject. Banned for twenty years in France, the film offers a unique and powerful historical testimony. Through interviews, archival footage, and critical commentary, Vautier denounces the brutality of the South African regime and the complicit silence of powers like the United States, France, and the United Kingdom. Figures such as Oliver Tambo and Miriam Makeba give voice to the resistance. The film was conceived not as an artistic work, but as an educational and political tool, reflecting Vautier’s tireless commitment to all struggles against oppression.

Is it still possible to live a nomad's life today? Can a person continue to walk on multifarious paths that lead to ever-changing horizons? How can this void be filled' These disturbing questions are all the more acute in the arid lands of the Sahara and the Sahel, as their economy is gradually smothered, their population criminalised, and their territories ruthlessly coveted for their rich mining potential. In an effort to keep chaos and meaninglessness at bay and to resist the ultimate dispossession of the self – that of the imagination – forty-four Toureg poets gathered for three days and three nights in Agadez, in November 2006. The aim of the gathering was to join forces and define resonant pathways freed from the shackles that currently immobilise their society, and to reinvent new ways of weaving a present.