A series of videos that trace the routes of several African immigrants through Italy to France where they have ultimately joined the French Foreign Legion. An emigrant draws on a map of the world the route he has followed. In this way, creates a bridge between the feelings of an emigrant being tossed back and forth and the superficiality of a geographical map.

A series of videos that trace the routes of several African immigrants through Italy to France where they have ultimately joined the French Foreign Legion. An emigrant draws on a map of the world the route he has followed. In this way, creates a bridge between the feelings of an emigrant being tossed back and forth and the superficiality of a geographical map.

Connanski in the outskirts of Paris in a total ecstasy of peace and acknowledged stress.

Yamina Benguigui turns her camera on a multi-ethnic region on the outskirts of Paris. These 'backyards' of Paris - suburban industrial ghettos filled with poor immigrants - are a breeding ground for social problems in the midst of an eclectic mix of conflicting cultures and identities.

Over the last twenty five years, Maghrebian immigrants living in France have brought their families to join them. Many of them lived in shanty towns before moving to working class suburbs. Their children were sent to school and grew up in France. Now their grandchildren cannot move forward, because they have lost their historical memory. This community of two million people, of whom a third have French nationality, are weighted down by double silence: the silence of their parents, and the silence of the public institutions. Mémoires d'immigrés, l'héritage maghrébin is an inside look at this community scattered throughout the four corners of French territory. Benguigui constructs her documentary by intercutting the personal and moving stories of three groups of interviewees: the fathers, the mothers, and the children.

Karaganda, Kazakhstan's second-largest city, located to the south of the steppes, was built in 1930 by displaced prisoners over a coalfield in the immense Karlag. Today, the basis of the city's economy is disappearing, leading to considerable impoverishment. « Mine de Rien » documents a time of instability, of transition between two states, feeling abandonment and capitalist hope. A state that has passed and a state which is just starting, intangible, inevitable. The film follows this transition, which generates chaos, adaptation and suffering, revealing the impossibility of being : at a time when human beings can no longer be considered as a mass, but a sum of individuals. En exploding population mapped over the geographical structure of the city.