“The only crime that the inmates of Migrant Detention Centres (CIE) have committed is to cross some border or other, to be poor, and to be black, that's all. Remember that these people are the grandchildren of the slaves who were hunted down like animals and loaded onto ships...” Lamine Sarr. “Nobody sees the reality of Migrant Detention Centres, it's a hidden reality.” Aziz Faye.

Presentation of collectives and debate. March 3, 2016 - Hall CCCB The Popular Union for Street Vendors aims to become a political lobby to defend the claims and needs of Barcelona's street vendors against persecution, discrimination and racism. The situations that street vendors find themselves in on a daily basis require a quick, organised response and first-hand communication with political authorities and the media, in their own voice.

Interview with Lucas Tello and Pedro Jiménez members of the collective Zemos98 of Seville.

Open conversation with Toni Serra *) abu ali (OVNI Archives) and the authors of the videos of ACTE 34: The Other City: Marc Almodóvar, David Batlle and Giovanni Cioni, who will reflect on their works in particular and open discussion on the evolution of cities in the conflicts of global capitalism. Suñol Foudation, 3rd October, 2016.

• “It’s hard to come to terms with the fact that the supposedly civilised society that you fled to, seeking refuge, is so brutal.” -“People say: “get civilised”. But when you get civilised you realise that it’s the worst thing they could have taught you. Do you know what they mean by “getting civilised”? Have money, go shopping, spend money, and always keep in your head: I want more, more, more... Consume.” - the persistence of Eurocentrism in European dissidence. (*) Title of Pier Paolo Pasolini’s last interview.

Tarajal: Dismantling Impunity on the Southern Border is a documentary research project by the production company Metromuster, which previously produced the influential activist documentary Ciutat Morta. It has been commissioned by Observatori DESC, which is collaborating in the research process. Tarajal is based on statements from migration experts, journalists, lawyers, police spokespersons, and activists, as well as official declarations from the Interior Ministry, edited together to reveal the many contradictions in the accounts of the events leading to the death of 15 migrants at Tarajal. Above all, it suggests that the events may not have simply been a matter of police negligence, but part of a strategy designed for the application of migration control policies.

The cycle From the Imagined to the Tangible, proposes to present abstract ideas that help us to reflect on the reality where we live, immediate, concrete and material. Toni Serra, co-director of the OVNI Archives presents different pieces of the more than 2000 that this audiovisual archive has gathered over 21 years, offering us an uncomfortable vision of the century where we live, but also the dreams and desires of societies that do not see each other reflected in the imaginary of corporate media. Museum of World Cultures, Barcelona. 4th October 2016.

In a bid to reach a better life, hundreds of Moroccan kids sneak into Melilla, a Spanish enclave in the north of Morocco. This is the story of Said, a deaf Moroccan boy stuck in this Spanish portion of Africa, awed by a false sense of prosperity, tries to jump into one of the many boats that will take him to the peninsula and eventually to the fulfillment of his European dream.

Moi, un Noir. Reloaded, is a tribute to Jean Rouch and provides a free update / re-interpretation of Moi, un Noir, the film the French anthropologist made in 1957. While the original film was satisfying the eager curiosity of the western gaze about otherness from the safe distance of a film, Reloaded minimizes cultural differences and avoids the exotic. Under these assumptions, the film plunges into the daily lives of the characters, into their thoughts and reflections on their experiences as black, Muslim and immigrant subjects.