Departing from the title, the video establishes a divergent parallelism in between the wife of the Senegalese migrants’ and the Odysseus’ Penelope. The protagonist do not just take Penelope’s roll, but subvert it. Parallelism due the similarity in the long periods waiting for their husbands’ return home. Divergence because, here these women take the enunciation power, to tell us how they deal with their reality and they how negotiate with the social pressure surrounding them, that like in the Odysseus, would love relegating them into a second term.

The Aphrodisia were considered the works of Aphrodite in ancient Greece, were all that offered pleasure to the senses. The intention of this audiovisual is to show some of the taboos where sexuality hides in the catalan context. Through three speeches, whose common objective is to defend sexuality, it approaches sex work and the works of the aphrodite that we live in everyday. The experience that three people can transmit from the Genera Association, erotic Massage and Sexual Assistance. This video is part of the Educational Agreement of collaboration between theOVNI Archives and the Department of Anthropology of the University of Barcelona -  UAB , for the curricular external practices of the students, of the academic year 2017-2018.

Since Kyrgyzstan gained its Independence in 1991, there has been a revival of the ancient practice of Ala-Kachuu, which translates roughly as “grab and run”. More than half Kyrgyz women are married after being kidnapped by the men who become their husbands. Some escaped after violent ordeals, but most are persuaded to stay by tradition and fear of scandal. Although the practice is said to have its root in nomadic customs, the tradition remains at odds with modern Kyrgyzstan. Ala-Kachuu was outlawed during Soviet era and remains illegal under the kyrgyz criminal code, but the law has rarely been enforced to protect women from this violent practice.