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            España

              9 Archival description results for España

              9 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S013-SS007-0052 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              This documentary invites viewers to reflect on the needs that are generated in the West through the lives of four sisters aged three to nine who live in Isla del Sol, a place with no police force, no churches, no motors and no petrol... What is it like to live without these powers that be? The father of the four girls talks about his life in an unedited 40 minute interview accompanied by images of his daughters.

              Untitled
              Jafaiki [0.1] (soplo)
              ES ES-OVNI CTX-S012-SS007-0088 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              The word is like the fire that fell from the sky in the shape of Garizi (the tuber of power), which our ancestors once ate. It's not tangible, it can't bee seen, it is simply an exhalation (Jafaiki). Odo Buijidima.

              Untitled
              Lectura Encantada
              ES ES-OVNI CTX-S011-SS005-0008 · Item · 1932
              Part of Non-Identified Video Observatory (OVNI)

              A compilation of Columbian film heritage material relating to indigenous communities. Patrimonio Fílmico Colombiano.Colección Acevedo (1932 -1948) , Marco Tulio Lizarazo (Guerrillero Guadalupe Salcedo, 1953).

              Untitled
              Lugar Viento
              ES ES-OVNI CTX-S012-SS007-0077 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Two summers ago we travelled to the southern winter, almost letting ourselves be led by chance, our eyes open with our backs to the wind, looking to the ground to protect them from the dust of dunes near the beach. We stopped for a few days in a wind place, where there are no networks yet and the few visitors are respectful and mostly silent. With these people, we were only accompanied by animal-monuments, nothing within a radius of 300 kilometres (what more could you wish for). Then we saw a group of tourists arrive (maybe we're tourists of monuments or of the spirit). They stopped and stared. Elephants and people stare silently. The power of the moment is such that the devices to steal light and sound fall silent. We met Mariano and he spoke to us, without expecting or even wanting to understand... We remembered one night, catching our breath at the whales' greeting. Let's not fool ourselves, because we weren't looking for it, something changed.

              ES ES-OVNI CTX-S013-SS007-0131 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Back in the old days, a 'maquila' was a “millers portion”, the amount of grain that farmers paid millers to process their grain. Now maquilas are tax-free factories set up in underdeveloped countries to produce their goods using cheap labour. In Nicaragua, 100,000 people work in maquilas, which pay $0.32/hour and violate all workers rights. The Nicaragua maquilas are virtually unknown to international public opinion, and essential to the supply of the US consumer market.

              Untitled
              ES ES-OVNI CTX-S013-SS007-0051 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              A promotional documentary by Yanapi, an NGO based in El Alto where it provides support to poor and disadvantaged teenagers. This documentary shows how 2000 euros a month are enough to support and feed 60 girls at risk of social exclusion, give work to 15 people, and help a group of mothers to set up their own cooperative.

              Untitled
              Relatos de la Periferia
              ES ES-OVNI CTX-S010-SS003-0004 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Tales from the Periphery looks at the changes currently taking place in the world's second largest river basin, that of the River Plate Delta in Argentina, and reveals aspects of the lives of its people. The everyday rhythm of these lives slowly unfolds before a camera which picks out detail via a subjective approach, thus opening up a new existential reality for the spectator.

              Untitled