España

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        España

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            España

              13 Archival description results for España

              13 results directly related Exclude narrower terms
              1991 Next Hundred Years
              ES ES-OVNI CTX-S010-SS005-0020 · Item · 1991
              Part of Non-Identified Video Observatory (OVNI)

              1991 is a key date in the construction of the global empire. At the start of the first Gulf war, George Bush "the father", paraphrasing a soldier, declared: "I don't think we're in this war over the price of a barrel of oil, we're here to define the future of the world for the next 100 years".

              Untitled
              Al Barzaj
              ES ES-OVNI CTX-S014-SS001-0135 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Al Barzaj [Between the worlds] is a poem about the halfway world, between the visible and the invisible, sleep and wakefulness... An inner journey through underground streets, secret gardens.

              Untitled
              ES ES-OVNI CTX-S010-SS005-0001 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              ICT, Loockhed Martin, Future Combat Systems, Full Spectrum Warrior, Kuma War. A devastating wave of terrorist attacks spreads across America, Europe and Southeast Asia, targeting specifically U.S. and U.K. interests, including embassies, regional corporate headquarters, and even western retail and restaurant chains. After months of intense hunting, U.S. intelligence tracks the source of the attacks to the tiny eastern nation of Zekistan. Zekistan was born seemingly overnight with the fall of the Soviet Union, resulting in a struggling third-world nation, torn by ethnic and sectarian strife, armed with a large surplus of Soviet-era military hardware and a critically weak government. Barely a year after its independence, the nation fell into brutal civil war between ethnic Zekis and settlers from surrounding nations. The Zekis were defeated by fundamentalist dictator Mohammad Jabbour Al Afad, who wasted no time in ordering the ethnic cleansing of the native Zekis. After the U.S-led operations in Afghanistan and Iraq, thousands of ex-Taliban and Iraqi loyalists crossed the borders of Zekistan seeking asylum by invitation of the nation’s dictator, Al Afad. It wasn’t long before the same terrorist training facilities and death-camps that the U.S. fought to remove in Afghanistan were operating again under full sponsorship by Al Afad’s government. After repeated warnings and failed diplomatic resolutions in the UN, NATO votes to invade Zekistan to depose Al Afad, eliminate the terrorist element, and stop the ethnic cleansing of the Zeki people. Pakistan grants the U.S. fly-through access to their airspace, and the operation begins. For several consecutive nights, carrier groups USS Carl Vinson and USS Ronald Reagan in the Arabian Sea launch thousands of sorties to take out air defense, armor, and enemy bases. With the dust barely settled, Infantry and Armor from seven NATO nations begin to land at captured air bases in southern Zekistan. The land invasion is underway… ...a media archaeology project by OVNI ARCHIVES: reading agents abu-ali & retroyou. 1999-2004.

              En el camino de las abejas
              ES ES-OVNI CTX-S020-SS003-0006 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              In a time that is becoming difficult for bees (as for us) In a year of severe drought, in a country that is already often arid, taking the path of bees has been to make a journey through moors and mountains, but also through states of mind, obstacles and encounters .. until reach their generous garden. Video made for the BEEHAVE exhibition, Joan Miró Foundation 02/16/2018 - 05/21/2018. Available online until December 27th 2020.

              Fes. Ciutat Interior
              ES ES-OVNI CTX-S010-SS007-0076 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).

              ES ES-OVNI RSC-1914 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002

              Untitled
              Los Sures
              ES ES-OVNI TS-S002-SS012-0001 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              Los Sures is the name of a Puerto Rican neighborhood in Brooklyn, New York. Recorded in 1991 and published in 2008, this video is not so much a portrait of the neighborhood or a memory of it, but a journey of initiation through different interior landscapes that are reflected in the urban wilderness in the evocation of death and loneliness, but also in contemplation and celebration of life.