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            España

              16 Archival description results for España

              16 results directly related Exclude narrower terms
              A Woman's Word
              ES ES-OVNI CTX-S014-SS001-0119 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              Janata Bennuna is from Morocco; Hanan Al Shaykh is from Lebanon; and Nawal Al Saadawi is from Egypt. All three are authors of the Arab word, committed intellectuals who shed light on the complex social reality of the Arab world through their books. In their hands, literature becomes a weapon through which to draw attention to and denounce situations that they oppose. The three women, from a generation heavily influenced by Pan-Arabism, initially studied against the wishes of their families, but ended up gaining their support. In A Woman's Word, these three very different writers who nonetheless share a common ground talk about their lives and their work. By learning about them, we also gain an insight into the Arab world, which is much more complex than the Manichean and mostly malicious information on the subject that predominates in our own society today. They too are Arabs, women, who refuse the victim mentality, and demand their rights through their work and their commitment.

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              Casting 1
              ES ES-OVNI CTX-S007-SS003-0008 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              Real documents from casting sessions for "wonberbra girls". and the like. 6th Independent Vídeo & Interactive Phenomena Show

              Untitled
              Casting 2
              ES ES-OVNI CTX-S007-SS003-0009 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              Real documents from casting sessions for "young mothers USA". 6th Independent Vídeo & Interactive Phenomena Show

              Untitled
              Europe Trap: TRAILER
              ES ES-OVNI RSC-4281 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Europe Trap is a film depicting the true struggle of a refugee. A close-up of Zakereh, a 55-year-old mother trying to reunite with her son, who is trapped in Greece. Through her eyes we shall witness her struggle against herself and society; a struggle as hard as the previous one she faced during wartime in Afghanistan. Zakereh fled Afghanistan many years ago. She escaped from war but she found misery and hostility. First in Iran, as a widow, with one child and without any rights, and later on, by crossing without papers many borders until she arrived in Europe. Once in Europe, at Athens airport she lost her son Omid and arrived alone in Spain without knowing where she was. Now she is suffering from culture shock, trying to fit in in another world where she doesn’t belong and dealing every day with a strange reality, with all her sadness and pain. The intimate portrait of an Afghan woman, who first became a widow and then a refugee. A testimony of the incomprehension of a new world and the situation she has to deal with now – a war as hard as the previous one, in the Europe Trap. A documentary about exile, loneliness, and the ghosts of war.  

              Untitled
              Europlex
              ES ES-OVNI CTX-S009-SS004-0003 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Europlex tracks distinct cross-border activities through the Spanish-Moroccan borderland and seeks to make these obscure paths visible. On their repetitive circuit around the check-point to the Spanish enclave Ceuta, the video follows in three borderlogs the smuggling women who strap multiple layers of clothes to their bodies; the daily commute of "domesticas" who turn into time travellers as they move back and forth between the Moroccan and European time zones; and the Moroccan women working in the transnational zones in Northafrica for the European market. All these trajectories move around and in between the imperative of the territorial borders. They form, however, a vital layer of the cultural and economic space between Europe and Africa.

              Grab and run: TRAILER
              ES ES-OVNI RSC-4272 · Item · 2017
              Part of Non-Identified Video Observatory (OVNI)

              Since Kyrgyzstan gained its Independence in 1991, there has been a revival of the ancient practice of Ala-Kachuu, which translates roughly as “grab and run”. More than half Kyrgyz women are married after being kidnapped by the men who become their husbands. Some escaped after violent ordeals, but most are persuaded to stay by tradition and fear of scandal. Although the practice is said to have its root in nomadic customs, the tradition remains at odds with modern Kyrgyzstan. Ala-Kachuu was outlawed during Soviet era and remains illegal under the kyrgyz criminal code, but the law has rarely been enforced to protect women from this violent practice.

              Non-Identified Video Observatory (OVNI)
              ES ES-OVNI CTX-S013-SS007-0029 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              To Ikhlas, a young mother, the most important things in life are her two children, all that is left from an arranged marriage in her teens. Her youngest son Nasser was imprisoned by the Israelis when he was only 15 for defending the cause of the Palestine people. Ikhlas is willing to accept any sacrifice in order to remain in contact with him, but she cannot help wondering whether this is really what her people need to do in order to defend themselves.

              Untitled
              La Memoria Interior
              ES ES-OVNI RSC-1343 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              This work, the result of a trip to Germany (taken in December of 2000) and of a personal investigation that lasted over two years, tackles the theme of the construction of memory and of the mechanisms of the production of history. Through the narration of my family’s history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus and a dialogue, and the elaboration from personal experience against the idea of an official history and memory, restricted to the institutional and articulated around the aestheticisation and the deactivation of the political subjects.

              ES ES-OVNI RSC-4284 · Item · 2020
              Part of Non-Identified Video Observatory (OVNI)

              The animals of Stella. While out exploring in the winter months, an almost prodigious chance encounter bring me to the shores of the lake ‘des Eaux-Chaudes’ (Alps of Haute Provence, France), the place that will become a creation laboratory of the video installation Les animaux de Stella/The animals of Stella. The human voice frees itself from the coded language and interacts with other sounds becoming part of the place, which in turn is internalized by the child. Thus a reciprocal dialogue is established, a spontaneous communication that brings out an intimate bond of affection. An equal relationship is progressively fostered between the girl and the environment that welcomes her, in an attempt to renew the ancient relationships between human and non-human.

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