España

Elements area

Taxonomy

Code

Scope note(s)

    Source note(s)

      Display note(s)

        Hierarchical terms

        España

          Equivalent terms

          España

            Associated terms

            España

              737 Archival description results for España

              737 results directly related Exclude narrower terms
              Water in the Boat
              ES ES-OVNI RSC-3383 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              Ginette Schenk lives on the margins of New York City's East Village. Her beloved dog Schatzy seems to be all that she has in life. “Water in the Boat” presents a collection of moments from their daily walk to the park. Days move slowly, autumn turns winter, as Ginette struggles to smile and keep herself together

              Welcome to Interzona: CD-ROM
              ES ES-OVNI RSC-1910 · Item · 1995
              Part of Non-Identified Video Observatory (OVNI)

              "We want to be near our customers and although currently there is some discontinuity in the market, we are proud to offer the best products and the best prices."  A journal of a insane adiction, a journey into the dawn of internet and lingo desert. Cd rom_interactive 1995_1998 Barcelona. Collaborations: IUA Pompeu Fabra, Oigo Voces, Joan Leandre, J M Palmeiro R, Xavi Hurtado.

              WSB Hassan Sabbah
              ES ES-OVNI RSC-1274 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              "You traitors, collaborators, you that have sold the land of those who are not even born yet, you liars ... in the name of Hassan Sabbah". William Burroughs, Nova Express.

              Untitled
              www.malagana.com
              ES ES-OVNI RSC-1238 · Item
              Part of Non-Identified Video Observatory (OVNI)

              "El Paraíso es de los Extraños" is a (de)tour through the ways in which the image of the Arab-Islamic world is constructed in Western culture, by analysing the recurrence of particular stereotypes, their origins, and their persistence in the visual arts (traditional fine arts, photography, film..), the mass media and advertising. It focuses specially on our own cultural context here and now: Morocco as the nearest ?other?, the myth of Al Ándalus as a model for exploiting integratable anomalies, and the media treatment of contemporary migration phenomena.

              Untitled