1 Mostra de Vídeo Independent de Barcelona 1993.
España
737 Archival description results for España
If the popular uprisings of 2011 have taught us anything, it is that revolutions do not occur as singular events – with the toppling of a tyrant or the capture of state power – but are complex long-term processes that play out over multiple years or even decades. They involve not just the removal of a government, but also the systemic transformation of political and social institutions, cultural norms and values, human consciousness and collective action. Such revolutions are, by their very nature, social and collaborative processes. In this presentation, I will look back at the uprisings of 2011-12 from the perspective of ‘networked resistance’, analysing how and why – in this time of crisis – the world is suddenly faced with the emergence of decentralized, leaderless protest movements from Tunis to Toronto. Providing a panoramic overview of the ongoing global revolutionary wave, I will not only show how all these uprisings emanate from the same source (a defunct world capitalist system), but also how their similar revolutionary tactics might be an indication of the world that awaits us. I will tell my story along the line of videos and songs of the movement. My final video will be a special address by the Greek resistance hero Manolis Glezos to the Spanish movement, to be premiered at OVNI.
–Want to know how to steal half a million euros from thirty-nine different banks to fund social causes? Robin Bank – the story of the man who did this and how.
Untitled"There should be more cultural programs on television, more westerns and cartoons for children." A cool little trip with Cheles and his friends to the neighborhood of San Roque, in San Adrià del Besós, Barcelona. 1 Mostra de Vídeo Independent de Barcelona 1993.
1 Mostra de Vídeo Independent de Barcelona 1993.
INTERVIEW AGENCY An exercise that explores the interview format– as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity.
UntitledSemana Santa de Sevilla- Holy Week in Seville [1993]. Processional music, electroacoustic music, and "cante jondo" converge; color and black and white; the topical point of view and the particular point of view. A visual "Fiesta" seasoned with verses from the "Poema del cante Jondo", by F.G. Lorca. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled"Scandinavian Soul ®" leads us to a small device (memorize recording machine) in which there are stored memories of a hero seized by nostalgia. Memories that follow that fragile line between the lived and the imagined, between reality and fiction, even at times blurred. Everything under ambiguous tone that leaves nothing clear enough for us to hang on.