The reality of this scam resists representation, which is why we are unsuccessful in our attempts to align words and images with the original meaning of things.

The markets of Fez, accessible from the main streets of the medina, are mostly situated very near the entrances to the city and reflect the vitality of an economic microsystem associated with the basic needs of the medina and its immediate rural surroundings.

Memory of the Land, is a reflection of the human condition under the yoke of different forms of violence, collective memory and identity as forms of resilience. Palestine. A body is trapped at a checkpoint; an essential mechanism of the Israeli occupation. The body is pierced by structural and physical violence, which is aggressive and arbitrary and prevents and attacks its free movement and existence.

In Memorias, norias y fábricas de lejía, images portraying happiness – the only images that home movies allow – clash with a voiceover recounting stories of the migration of agricultural workers from rural Andalusia to industrial centers in Catalonia. A film-essay on migration, memory and the impossibility of accessing self-representation.

2 Mostra de Vídeo Independent de Barcelona 1994.

2 Mostra de Vídeo Independent de Barcelona 1994.

https://koniclab.info/about/

https://koniclab.info/about/

2 Mostra de Vídeo Independent de Barcelona 1994.

Cuban Revolution has used since the beginning posters and billboards to transmit to people its political and social ideology: a way of visual comunication that has lasted to nowadays. This film was produced in 2006 and was conceived as a “work in progress”. With each billboard, a postcard of Cuban daily life is shown. We have registered their geographical coordinates so that in the future we can go back to shoot again and show, from the same locations, the evolution of Cuban History.