The sun does not always shine in Barcelona, the “best shop in the world” according to the slogan of a City Council campaign. The thousands of tourists who visit Barcelona every month boost the city's economy, but their social and human impact is often overlooked. The precarious nature of jobs in tourism, real estate pressure from the hotels, and the types of problems that crop up when a city turns into a kind of theme park in an attempt to seduce outsiders. The classic problems of global capitalism, reflected in one of the country's major industries... “BCN Thematic Park” talks about all this... about Barcelona, a city-advertisement that is turning into the newest theme park on the international market.

Can Baz is a film made from the perspective of a member of Alevi Kirmanc in East Anatolia, whose religious philosophy is expressed in the statement: What you seek, seek not in Mecca, not in Kaaba and not in Jerusalem, seek rather in yourself. The effects of the last massive annihilative attack, which began in 1994, can be refound in the example of Murat and Ahmet Öztürk, two brothers living in exile and addicted to drugs in Istanbul-Beyoglu. The film portrays their life with their band, Siya Siyabend; their friend Hasan Isik, an inhalant-sniffing street kid; and their pursuit of freedom by the wrong means.

Can Ricart, in Barcelona's Poble Nou, was a textiles factory in the 19th century and an industrial complex with numerous workshops in the 20th century. At the start of the 21st century, the approval of the urban rehabilitation project Plan 22@, meant that industrial areas in Poble Nou were earmarked for demolition, to be replaced by office buildings. Can Ricart then became the subject of litigation between the affected workshops, the developer and owner – Federico Ricart, Marquis of Santa Isabel – defenders of the heritage value of the complex who wanted it turned into public space, and Barcelona City Council, responsible for the urban plan.

A documentary about the city of Beijing which is undergoing enormous changes during the preparations for the summer Olympics 2008. A brand new Beijing, with a vision for the future, is replacing the old imperial capital. In a series of close-ups, we meet the people of Beijing who will lose their homes and face an uncertain future. They have raised their voices against the destruction of their homes and the loss of their city's history for ever.

“Radical Imagination (Carnivals of Resistance)” is the second part of the “Entre sueños” (Between Waking and Sleeping) series. It deals with the “Global carnival against capital”, an action staged by the Reclaim the Streets movement in London on June 18, 1999, which brought urban commercial life to a standstill. The City of London, a world financial centre and a major hub of international capital, was paralysed, and the protest developed into an epicentre of a political current that reappropriated the idea of the carnival as a tool that points to new approaches of the occupation and formation of public space in recent anti-globalization movements.

ECOSYSTEMIC MEMORIES OF THE CITY

NON-SUBMISSIVE LANDSCAPES

ECOSYSTEMIC MEMORIES OF THE CITY

Collaboration with Bornlab (El Borne CCM) for a collective approach to the contemporary imaginary of natural resources and territory, based on the sharing of current geopolitical issues that have an echo in the city of Barcelona.

This edition of the community studies group "Ecosystemic memories of the city" proposes a series of sessions in which we collectively approach the contemporary imaginary of natural resources and territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona.

Natural resources and the territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona. Through the contributions of various entities and people who connect us with critical archives, social actions and cultural initiatives in the city, we will address the recovery of community forms of agricultural social organization in contemporary pedagogies, images and slogans of movements for the protection of the land, as well as the reflection, from various worldviews, on cultural heritage and in connection with environmental issues that affect different international contexts.

The programme is organised in a participatory methodology that includes working groups where knowledge is pooled and perspectives are shared between guests and participants. In the different meetings, cultural proposals are discussed to explore the relationship between memory, community and ecology through collaborative experimentation and public action, which are included in the fanzine that is distributed in the closing session.

The Community Studies Group is a proposal of Bornlab, the community mediation programme of Borne CCM with the support of community mediation programme of Borne CCM in collaboration with Coalició Prou Complicitat amb Israel, La Colectiva de Chilenas de Barcelona, Comunitat Palestina de Barcelona, Laboratorio Móvil, OVNI (observatori de Vídeo No identificat) , Ruangrupa i docents i investigadores de l’Institut Català d’Antropologia, el Col·legi de Psicòlegs de Barcelona, l’Escola Massana and la Universitat de Barcelona.

Further information and registration: elbornculturaimemoria

NON-SUBMISSIVE LANDSCAPES

Thursday 8.2.24 from 6 p.m. to 7.30 p.m.

Through the audiovisual archive, we will reflect on movements led by communities in Chiapas, Palestine and Ecuador who are

Chiapas, Palestine and Ecuador who are organising themselves against the deterioration of their ecosystems and claiming the right to use and protect their land.

1_ Land and traditions

While the housing bubble was deflating across the US, an explosion of demolition and construction was steadily transforming Williamsburg, Brooklyn. Open House documents the brutal nature of the development spree which occurred as a result of the neighborhood's re-zoning from light manufacturing/residential to the loosening of codes that allowed for forty-story towers on the waterfront. This video chronicles a neighborhood being literally torn apart by outside developers capitalizing on a frenzied housing market, and locals under pressure to “sell out” while the price is right.

“Located in the historic city center, the once old former Barrio Chino had become a succulent real estate treat waiting to be carved up. To the North, a legion of civilians holed up in museums, universities and centers of contemporary culture waiting until the police finished clearing the streets of the destitute. To the South, the deputies of the tourism industry unloaded the hordes of the idle from the modern cruise ships anchored in the port. It was the start of an all-out siege, a war that fed on the city's streetwalkers. The battle was waged one house at a time...”

Everywhere in the parks and on the river bank of the Osaka river one sees blue tents or barracks covered with blue plastic tarps - at times scattered throughout the park area, sometimes lined up in rows, or united to form small communities. The term homelessness only insufficiently describes the situation of these No-jukusha - the campers in the rough. Without any budget and only the simple camera at the place the reason to start the documentary was the threat of evictions of homeless tents from parks. Now the film is used in Osaka as a tool against new evictions by No-juku-sha, andbecame a vehicle of articulation for those who live outside of the Japanese society.