Out of the corner of the eye is the recording of a vision, sparked by the accounts of my grandfather, who lived in a small mountain village. The picking of blueberries and raspberries at dawn, in groups of people who kept in touch with songs and calls from one side of the valley to the other, made me think of a vastness of resounding sounds, filling the emptiness of space. I wanted to translate that soundscape into a video. The valley appears dotted with sparkles, glimmers that respond from one end to the other, from the bottom to the peaks. Thanks to the involvement of a group of more than twenty inhabitants of the valley, equipped with mirrors, I transformed a portion of the landscape into an expanded random choreography of presences amidst the woods, with coordination by radio.
UntitledEnsimismamiento
5 Archival description results for Ensimismamiento
CRA'P - pràctiques de creació i recerca artística
25 March from 19:30h to 21:30h
• “Les Dormants“ by Pierre-Yves Vanderweerd , 65’ (Belgium) (2009). VO. French. Subtitles in Spanish.
The four stories in this film transports us from Belgium to the banks of the Senegal River, from the French Ardennes to the mountains of the Western Sahara.
What they have in common is that they lead us to meet the sleepers. Men and women moving between two worlds, that of the absent and that of the living, between two states, that of awake and that of sleep.
In each of these stories lies a mystery free from all belief, all philosophy, all attempts at explanation. A mystery capable of re-enchanting the reality.
• “La vida en armonia” by Toni Serra *) Abu Ali, 15’ (Morocco) (2018). VO. Arabic. Subtitles in Spanish.
A conversation with a woman who washes and massages the women who go to the hammam (public baths), helps bring the neighbourhood children into the world, and to wash the dead.
Limited places, early booking: info@cra-p.org / 666 763 504
CRA'P - pràctiques de creació i recerca artística ( creation practices and artistic research )
Anselm Clavé 67, 3r - 08100 Mollet del Vallès
CRA'P - pràctiques de creació i recerca artística ( creation practices and artistic research )
4th November from 7:30pm to 9:30pm
• “Le jour a vaincu la nuit” by Jean-Gabriel Périot , 28’ (France) (2013). VO. French. Subtitles in Spanish.
Eight portraits, eight dreams, eight escapes.
• “Solitude at the end of the World” by Carlos Casas, 52’ (Argentina) (2002). VO. Spanish.
In one of the least populated regions of the world, a few men lead lives in total solitude, spending months and months alone. This documentary tells the story of three of these men. Isolated from the world for different reasons, they survive in a suspended time of their own in one of the harshest environments of the world.
• “How to be a recluse” by Laurel Swenson, 4’ (Canada) (1998). VO. English. Subtitles in Spanish.
A series of ‘advices’ on how to gain independence and control in the face of the difficulties implicit in human relationships
Limited places, early booking: info@cra-p.org / 666 763 504
CRA'P - pràctiques de creació i recerca artística ( creation practices and artistic research )
Anselm Clavé 67, 3r - 08100 Mollet del Vallès - Barcelona
A little girl sleeps wrapped in her blankets. A lampshade that projects large areas of shadow is the source of a brightness that spreads from the inside of a room, like the circles generated by a stone thrown into the water, until it reaches the most distant places. What is manifested inside reverberates in the environment outside, because it is made of the same material. The video is a chant, a natural prayer in order to live as long as possible.
UntitledThere are many protagonists in this video: the woods, above all, and different types of animals, natural light effects, installations by various artists (these were installed along the pathway in a Piedmont Valley in the North West of Italy as a result of a production of material in the field occurred during the project “La collera delle lumache” (The Snails’ Wrath), the stream, the sky, and other landscapes. Each of these elements, from time to time, can ‘take over the scene’ of Soglie (Thresholds), becoming the momentary protagonist of the work, totally without any pre-established hierarchies. An intangible entity that was possible to document only by evoking it with this composition of images and sounds, all of which are absolutely authentic and not treated in any way during post-production. One could define Soglie (Thresholds) as an epic of the events of those days, that which was seen by the invisible eyes of the woods and narrated by the forest itself. I repeatedly dreamed of it over the long term that I devoted myself to the choice of images and sounds, and to their transformation, and now tell my dream to everyone who sees this video work.
Non-Identified Video Observatory (OVNI)